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Showing posts with label New York. Show all posts
Showing posts with label New York. Show all posts

Thursday, 18 December 2014

LGA: US' Oldest Airport

LGA's Marine Terminal/A
Oldest Operating Air Terminal
Photos: WritersClearhouse News Service
Richard Carreno
SHIPS IN THE SKY
New York [WC News Service] | I visited another era in air travel yesterday. When planes where known as 'flying boats' and as 'airships,' and, as the old legacy American Airlines used to call them, 'flagships.' Welcome to LaGuardia Airport, America's oldest operating air/water field.
 
You mean that hodge-podge of buildings known as Terminals B and C? No, those are LGA's newcomers. Thanks to Delta, the real LGA, known as Marine Terminal (Terminal A) is still functioning. More, or less.
 
That's what I learned yesterday on my mission to discover more about the Marine Terminal, opened in 1939 by then-New York Mayor Fiorello LaGuardia. The extent of Delta's in-coming and out-going seemed dodgy, at best. Yes, there's a counter. Even TSA agents. As for passengers, not so much.
 
BE SURE TO SEE THE PHOTO GALLERY THAT FOLLOWS BELOW!

Tuesday, 22 July 2014

FOLK GOES BROKE

Folk Museum: Going... Gone
How MoMA Trashed West 53rd Street
By Catherine Smith
[WritersClearinghouse News Service]
New York 

In 1961 a folk art visionary conceived and established the Museum of American Folk Art and, with his collections and other donations, endowments and support, inaugurated
the museum in 1963 on the rented parlor floor of a brownstone on West 53rd Street. The collections, endowments, subscribers and visitors grew. 
 
In 1979 MAFA purchased two brownstones on West 53rd Street. In its quirky, somewhat  ramshackle venue the museum gained renown and clientele, and, to the surprise of all, began to become a destination. Growth and popularity continued. Exhibitions gained favor. The Clarion magazine succeeded. Notable art, collections and quilts and textiles continued to be donated.

Monday, 10 February 2014

Editor's Sketchbook



'MODERN' ART TURNS 100
New York
What do Constantine Brancusi's Muse endormie, Marcel Duchamp's Nude Descending a Staircase (N0.2), François Picabia's Dances at the Spring, and Jacques Villion's Young Girl have in common? These works, then contemporary works, were all part of scores of now 'modern' paintings and sculptures that were displayed in the ground-breaking Armory Show, held in New York 100 years ago and now recreated at the New-York Historical Society Museum &; Library, 170 Central Park West at 77th Street.
 
There's another commonality: These and other sculptures and pictures, more than a dozen in all, are now housed in the Philadelphia Museum of Art, the single best-represented repository of Armory Show submissions, all part of the museum's stellar Louise and Walter Arensberg Collection.
 
'The Armory Show at 100' is one of the best art exhibits I've ever had the privilege of attending. It's a time capsule of what modern art was to become. I was transported to 1913 and 69th Regiment Armory (1906), still functioning at 68 Lexington Avenue, between 25th and 26 streets. Imagine, if you will, being an attendee at that time, seeing, aye savouring, early first works by Picasso, Matisse, and Van Gogh. Add a Renoir or two, a picture by Goya, even an Augustus John, the under-appreciated English portraitist. In all, scores of artists are represented. Still, only a fraction of the total collection in the show itself. 

Tuesday, 6 August 2013

DIA Pumps Up the Arts


OUT OF GAS

BY RICHARD CARRENO
[WRITERSCLEARINGHOUSE NEWS SERVICE]
Detroit
Detroit, in bankruptcy, is running on fumes.

Meanwhile one city department, the Detroit Institute of Arts -- yes, it is actually a municipal department -- may be the only one in an otherwise forlorn, dollar-short city that has a full tank of gas, about $2 billion worth. For the serious minded, here and elsewhere, the DIA, its head well above water in a place drowning in debt, is also more relevant than ever.

Never mind the anti-Detroit canard, a drumbeat beat by a sensationalistic press, that the Picassos housed here were 'up for sale.' Humbug. This, despite a report this week that Christie's is getting in the act. Actually, more Republican-backed mischief by Emergency Manager Kevyn Orr.

Tuesday, 30 July 2013

New O'Hara Collection

NEW YORK STORIES

Robert Knott Interviews Steven Goldleaf
 
On June 13 John O’Hara Society member Steven Goldleaf discussed his new collection of John O’Hara’s New York Stories.  The book is published by Penguin Classics and will be released on August 27, 2013.  Below is the first part of our conversation. Additional responses in the coming weeks. – Robert Knott

Robert Knott: How did the book come about and why choose the New York stories?
Steven Goldleaf: It was pretty unoriginal.  Matt Bruccoli had come out with two geographically organized collections of short stories.  He had first done a collection called Gibbsville, PA, which was almost every story that took place in Gibbsville.  It was 900-odd pages.  It was a really thick book.  And then he came out with John O’Hara’s Hollywood, which was almost — if not quite — all the stories that took place in Hollywood.  Then Bruccoli died and I didn’t want to let the New York stories go unpublished, so I proposed the idea to Wylie O’Hara Doughty and she was very enthusiastic.  She put me in touch with her agent, the agent for the O’Hara estate, and he didn’t take that long to interest a publisher, which is Penguin. Penguin did not want to do an inclusive collection, which is a little different than the two earlier books.  From the very beginning they thought an inclusive collection would be too long.  So, I created a list of the New York stories I thought were the essential ones, and we pared it down to the number we are doing, which is over thirty.

Monday, 6 May 2013

Ground Zero: 1:01 pm 5 May 2013

Sad
Moving
Solemn




Photos: Writers Clearinghouse News Service

Saturday, 23 March 2013

Bookshops


Good
Vibrations
By Victoria Ordin
[Writers Clearinghouse News Service]
New York
I was walking back home from Sarabeth's, my new NYC food crush, and popped in at the Crawford Doyle bookshop, 1082 Madison Avenue.

It's tiny, but as one reviewer noted, "The people who work there really love books. It kind of oozes out of their pores in an almost intangible way, and I get the sense they become friends with the regulars."


Thursday, 2 August 2012

Camden, New Jersey


Setting Out

Philly skyline recedes


Camden skyline advances

Closer view of Campbell's Field
On a Clear Day in Camden
You Can Almost Be in Brooklyn
Camden, New Jersey
By many accounts, Camden ought to be part of Philadelphia.

Something like our 'fifth' borough, our Brooklyn -- even with a great, old bridge. New York has the Brooklyn Bridge. We have our Ben. To be sure, Camden lacks Brooklyn's zeitgeist. Instead of hipsters, this city has mobsters. Instead of Orthodox Jews, this city has Orthodox Black Muslims. As for Camden's notorious slums. Well, they would fit nicely in the Badlands of North Philly, thank you. All in all, same church. Different pew.

I got here by walking over the Ben. You can drive. Toll. You can take the PATCO subway. Fare. There's a ferry. Fare. And I suppose you can swim. Fine if you get caught. I walked. The trek took a leisurely 30 minutes. Here's the thing. I was -- like -- the only one. True, I was passed by -- from the Camden direction -- by a couple of deadbeats. They were obviously dodging the PATCO fare.

On such a good, glorious day, on the Brooklyn Bridge, the footpaths would be mobbed. In all my journey from Old City, Philly, to downtown here was about two miles. Not such a long distance -- unless you work for PATCO, it seems.

I wound up at the PATCO Transportation Center to arrange for a commuter ticket. (I have plans with Camden in my sights, you see).
'Did you come over on a paper ticket?' the clerk, a young female, asked.
'No, I walked.'
''You walked! All the way from Philly!'
'Yep, two miles isn't very much, really.'
'Shenayda,' the clerk calls out, 'this guy walked all the way from Philly.'
'What some people do,' Shenayda said.
'Do you walk in marathons? the first clerk said.
OK. It's not Brooklyn.
-- Richard Carreño

Monday, 26 March 2012

Reprinted from The Brooklyn Daily Eagle

Personal Reminiscence:
Reclaiming My Inner Brooklyn
Richard Carreño stands in front of his former residence at 583 E. 22nd St., Flatbush.Richard Carreño stands in front of his former residence at 583 E. 22nd St., Flatbush.
By Richard Carreño
Special to Brooklyn Daily Eagle
PHILADELPHIA — Every city kid who has moved away has an “old neighborhood.”

Mine is Flatbush, a vibrant ribbon of racial and ethnic diversity that cuts through the heartland of Brooklyn. Until recently, it was also a place and a bit of personal history that I long ignored, or, maybe, even longed to forget.

Increasingly, over the past few years, all that turned around, and in one of those marvelous contradictions that accompany age, reconnecting with Brooklyn now became a kind of longing. And that recently resulted — after 55 years! — in my first return to the old ’hood, East 22nd Street between Newkirk and Foster avenues. A change of heart? Certainly. An old man’s sentimentality, surely.

More important, after years of living elsewhere — the Bahamas, France, England, and, now, Philadelphia — I was finally ready to join the ranks of countless others who realized that the roots of their identity (however shaped, massaged and contrived in subsequent years) were born in the hardscrabble of their past. My denial, while lodged in the more polished social and educational perches of my later years, where the fast-talking, wise-guy personae of a Jackie Gleason or a William Bendix character were hardly ideal — slipped away as I grappled with my newfound identity as a Brooklynite.

Thanks to Bob Oppedisano behind the wheel, my old Brooklyn almost immediately came into focus. We circled the imposing victory arch in Grand Army Plaza, which had been my first taste of martial triumphalism. Nearby was the Brooklyn Museum, the place of my first up-close-and -personal arts exposure, and where I also heard full-orchestrated concert music for the first time. (My, my, to be able to play the kettle drum, I mused then.).

Bob was in his element. He, too, was a Brooklynite, having grown up in Carroll Gardens, and he tooled the streets with savvy aplomb. As we approached magnificent Ocean Parkway, the years were flipping back like one of those flashback calendar scenes in a 1940s movie. The gritty, cinder bridle path that once spoke of the elegance of the parkway was now paved. “Long gone,” said Bob.

When Bob and I first met in the 60s as journalism undergraduates at New York University, I was fashioning myself as a sort of ex-Parisian from Michigan. (This odd contortion of identity reflected the fact that I had been living with my parents in France before a job transfer required my father to move to the Midwest). At that point, Brooklyn still had no attraction. Given my journalism proclivity, why I had never thought to align myself with the legendary historic spirit of Brooklyn Eagle reporter Walt Whitman or then-raging histrionic spirit of Norman Mailer mystifies me.

Flatbush was in sight as he turned onto Foster Avenue, heading east to Ocean Avenue and East 22nd Street. I was struck that everything was “smaller.” The distances, not as great. The buildings, not as towering.

Otherwise, the infrastructure was frozen in time.

My time was an almost 11-year span from my birth in 1946 to 1957. During that period, we Carreños lived in a rambling three-story, barn-like structure (3,110 square feet) at 593 East 22nd St. It was one of five single-family houses on the east side of the street built just after the turn of the 20th century. Low-lying apartment houses lined the rest of the street.

Our family was overseen by the family patriarch, my paternal grandfather, Toribio, a tyrannical overlord of Spanish extraction who had immigrated from Cuba to New York in the 1920s. In sharp contrast to the taciturn Toribio, a tobacco-chewing ex-house painter and building super, was his younger wife, my grandmother, Maria Elena, who remains among the kindest, most forgiving and compassionate individuals I have ever met.

Then there was the rest of us, and what a mixture! My father, Ralph (born Rafael), the youngest of three brothers. My mother Marion; my sister Roberta, born in 1956; and our dog Zippy, a black-and-white mutt. We inhabited No. 593’s first floor. On the second floor, and later in a renovated attic, lived my Uncle Andy (the middle brother), his wife Eda and my cousin James, known as J.J. I think my cousin Anita was born about then as well. In the attic’s rear were my grandparents. Toribio and Elena’s eldest son, Charles, or Charlie, was next door in another single-family house with his wife Thelma and my cousins Bernie and Mark. It would not be an over-statement to note that we were a tight family.

In many ways, we also mirrored the ethnic mix of Flatbush, then a largely working-class neighborhood that harbored, harmoniously, a ethnic diversity that ranged from Irish and Italian Catholics to Eastern European Jews. (Flatbush Avenue at the time was a corridor of kosher delis, where my fondness for knish and pastrami was born). My mother was Jewish, and so was my aunt Thelma. My aunt Eda was of Italian heritage, from upstate New York. My grandmother was a devout Catholic, and it was thanks to her that I received my religious training at Our Lady of Refuge, a stone, neo-Norman-like structure at the corner of Ocean and Foster avenues. (Elena converted her bedroom into a kind of chapel. I seem to remember that a dressing table doubled as an altar. In other words, it was scary).

Our Lady of Refuge was where I was baptized, confirmed, celebrated my First Communion, and also developed my first anti-clerical animus. The church basement, where the nuns would berate us if we did not leave room when seated for our guardian angels, doubled as my Boy Scout meeting place. Upstairs, in the “telephone” booths of the sanctuary, the priests would berate us for any hiatus in their system. (Woe to he who professed, “Oh my father, my last confession was three weeks ago....” “What!” ... After the requisite tongue-lashing, being assigned to recite about five Hail Marys was getting off light.)

My father, on the other hand, was an atheist. So were Toribio and his other sons, as far as I could tell.
Parking nearby, Bob and I found our way to the church’s office. “Sorry, the sanctuary is closed,” we were politely, but firmly, told by the sexton, a middle-aged woman who spoke with a Caribbean lilt.
Like the church congregation, the neighborhood itself now seemed mainly made up of folk of Jamaican descent. In other nearby parts of Ocean Avenue were Indian and Pakistani immigrants. As Bob and I later descended onto Flatbush Avenue, we discovered the vibrancy of island culture, with its open-air markets, spotless streets and jostling crowds.

Some old shops still soldiered on with white owners. Others were converted to new uses. The old A&P, which Elena persisted in calling the “Altantico y Pacifico,” is now the Homeplace Furniture store. An ice cream parlor at the corner of Newkirk and Flatbush was just a memory.
The neighborhood seemed stable, approaching a middle-class status. Single-family houses go for almost $500,000.

East 22nd Street was how I remembered it. How could this be? Yet, there was the same alley (albeit narrower) where we used to play stickball. (I was always “called” last, unless my cousin Bernie had a say.) There was the corner where I scarred my right knee when I tripped on glass in a small dirt patch. (The scar is still there, and so, I noticed, are some new shards of glass in the same dirt patch.) The driveway, where my dad’s DeSoto was parked. I looked up to the window of the apartment where a friend’s mother offered me a cream cheese sandwich with olive bits. How exotic, I thought. Not far away were the bushes where I was thrown when I was thrashed by some boys after school. My first schoolboy fight. I lost.

There was, of course, the street itself, which we would commandeer for ball games, and its inner sinews where, behind garbage cans and such, we’d duck out of sight for hide-and-seek. I could still hear Mrs. Kroberger calling from her apartment house window for our friend (her son) Buster to return home.

And, finally, there was the Ostrow house, next door to ours.

Mr. Ostrow was an officer in the Fire Department, and, to me, a kind of vague figure, because he spent so many nights away. He also seemed menacing — this despite our family being friendly with his, and his son, Jacky, being my best friend. When I broke a window in Mr. Ostrow’s garage door with an arrow, flung innocently from my bow, I trembled in fear for what would happen when our neighbor returned. Nothing did.

The Ostrow house also housed our family GP, Dr. Landesberg. He also scared the bejesus out of me.
Still, for the most part, this was a place of joy. On summer nights we’d assemble on the front porch, the men drinking beer and we, way past our bedtimes, listening to the youthful happiness of our elders. The bounty of Christmas, again surrounded by family and extended family. Huge feasts prepared by Toribio, who fancied himself a chef extraordinaire. And Lionel trains — the big ones. In the winter, laughter emanated from a sitting room, where adults by night would surround a newfangled black-and-white television to tune in to I Love Lucy. In the front parlor were my dad’s books, a hi-fi and a party-line telephone (GE-8-6524), where we’d receive the rare call when Ralph was travelling in South America on business.

My old elementary school, P.S. 152, housed in a French chateau-like structure on Glenwood Road, had been converted into P.S. 315, the School of the Performing Arts. It was there, when as P.S. 152, that my fourth-grade teacher, Mrs. Eleanor Gochman, arranged that I’d be appointed a AAA monitor when I had been originally passed over. That was important. Very important. My cousin Bernie was AAA, you see. P.S. 152 itself, I discovered, has been relocated nearby to a spiffy new, purpose-built building and dubbed as the School of Science and Technology.

In addition, I detected an eerie silence. I remember constant shouting on our street, the rah-rah of ball playing, open fire hydrants, the roar of traffic, all interspersed with cars honking as we hogged and clogged the street with bikes and scooters. There was none of that now, even though it was well into the afternoon and well after school being let out. I saw no one playing stoop ball or punch ball. No one “digging to China,” an engineering feat Bernie, Jacky and I once undertook in our backyard behind the neighboring Flatbush Church of Redeemer.

No one was trading baseball cards. No one was snapping Pez containers. Off Flatbush Avenue, the streets were nearly deserted.

What had happened to the cacophony of Hit Parade music that used to waft from windows and car radios, or the orphan sound of classical orchestral music that would drift down the street from time to time?

Of course, I knew my family was unlike others. I had been to the city many times. I had visited the Metropolitan Museum of Art and the American Museum of Natural History. My clothes were purchased at Brooks Brothers. My toys came from F.A.O. Schwarz. But I really didn’t know how different until one afternoon when I heard the classical music and I walked by two men who were shaking their heads in disbelief. “Who’s that jerk playing that longhair music?” one man said to the other. Yes, in those days they actually said “longhair.” And, yes, the man they were talking about was my father.

Soon after, we moved. That was more than five decades ago. I now returned to reclaim my inner Brooklyn. Funny, I realized, I had never really lost it.
___________________________________
Carreño is a partner in the Philadelphia-based online bookshop @philabooks|booksellers (www.philabooks.webs.com), a former lecturer at the American University in London, and the author of Lord of Hosts: The Life of Sir Henry ‘Chips’ Channon.

 

Thursday, 8 March 2012

You Have a Problem With That?




Reclaiming My Inner Brooklyn
By Richard Carreño
[Writers Clearinghouse News Service]
New York
Every city kid, who has moved away, has an 'the old neighbourhood.'

Mine is Flatbush, a now vibrant ribbon of racial and ethnic diversity that cuts through the heartland of New York's most populous borough, Brooklyn. Until recently, it was also place and a bit of personal history that I long ignored, or, maybe, even longed to forget.

Increasingly, over the past few years, all that turned around, and in one of those marvellous contradictions that accompany age, reconnecting with Brooklyn now became a kind of longing. And that recently resulted -- after fifty-five years! -- in my first return to the old hood, centred around a patch just off Flatbush Avenue, East 22nd Street between Newkirk and Foster avenues. A change of heart? Certainly. An old man's sentimentality? Surely.

More important, after years of living elsewhere -- from the Bahamas, France, England, and, now, Philadelphia -- I was finally ready to join the ranks of countless others (many I had come to know in those other countries, as well) who realised that the roots of their identity (however shaped, massaged, and contrived in subsequent years) were born in the hardscrabble of their past. My denial, lodged on the more polished social and educational perches of my later years, where the fast-talking, wise-guy personae of a Jackie Gleason or a William Bendix character was hardly a beau ideal, slipped away as I grappled with my new-found identity as a Brooklynite.

Thanks to Bob Oppedisano, behind the wheel, my old Brooklyn almost immediately came into focus. We circled the imposing victory arch in Grand Army Plaza, which had been my first taste of martial triumphalism. (And, maybe, just maybe, apart from the the Paris version -- and, certainly, those others from Marseille to Philly -- still my favourite). Nearby was the Brooklyn Museum, the place of my first up-close and personal arts exposure, and where, as well, I heard full-orchestrated concert music for the first time. (My, my, to be able the play the kettle drum, I mused then. Never, ever in later years forgetting that lingering, fond notion).

Bob was in his element. He, too, was a Brooklynite, growing up in Carroll Gardens, and he tooled the streets with savvy aplomb. As we approached magnificent Ocean Parkway, the years were flipping back like one of those flash-back calendar scenes in a 40s movie. The gritty, cinder bridle path that once spoke of the elegance of the Parkway, a promenade that extended in its grandeur to Coney Island, was now paved. 'Long gone,' said Bob.

When Bob and I first met in in the 60s (both journalism undergraduates at New York University's Washington Square campus), I was then fashioning myself as a sort of ex-Parisian from Michigan. (This odd contortion of identity was dissembled from the tenuous trope that I had been living with my parents in France before a job transfer required my father to move to the Mid-West). At that point, Brooklyn still had no attraction. (Given my journalism proclivity, why I had never thought to align myself with the legendary historic spirit of Brooklyn Eagle reporter Walt Whitman or then-raging histrionic spirit of Norman Mailer mystifies me).

Flatbush was in sight as he turned onto Foster Avenue, heading east to Ocean Avenue and East 22nd Street.

I was struck that everything was 'smaller.' The distances, not as great. The buildings, not as towering.

Otherwise, the infrastructure was frozen in time.



My time was an almost eleven-year span from my birth in 1946 (at New York Hospital in the 'city,' as Manhattan was known then as well as now) to 1957. During that period, we Carreños lived en famille, in a rambling three-story, barn-like structure (3,110 square feet) at 593 East 22nd Street. It was one of five single-family houses on the east side of the street built just after the turn of the 20th century. Low-lying apartment houses lined the rest of the street.

One man's 'famille' is another man's 'clan.' Ours, by whatever rubric, was overseen by the family patriarch, my paternal grandfather Toribio, a tyrannical overlord of Spanish extraction who had immigrated from Cuba to New York in the 1920s. In sharp contrast to the taciturn Toribio, a tobacco-chewing ex-house painter and building super, was his younger wife, my grandmother, Maria Elena, who remains among the kindest, most forgiving, and compassionate individuals I have ever met.

Then there was the rest of us, and what an admixture! My father, Ralph (born Rafael), the youngest of three brothers. My mother Marion; my sister Roberta, born in 1956; and our dog Zippy, a black-and-white mutt. We inhabited No. 593's first floor. On the second floor, and later in a renovated attic, lived by my Uncle Andy (the middle brother), his wife Eda and my cousin James, known as J.J. I think my cousin Anita was born about then as well. In the attic's rear were my grandparents. Toribio and Elena's eldest son, Charles, or Charlie, was next door in another single-family house with his wife Thelma and my cousins Bernie and Mark. It would not be an over-statement to note that we were a tight family.


 In many ways, we also mirrored the ethnic mix of then-Flatbush, a largely working-class neighbourhood that harboured, harmoniously, a ethnic diversity that ranged from Roman Catholic Italians and Irish, to European Jews. (Flatbush Avenue at the time was a corridor of kosher delis, where my fondness for knish and pastrami was born). My mother was Jewish on her father's side. My Aunt Thelma, born in South Africa, was née Feinstein. My Aunt Eda was of Italian heritage, from upstate New York. My grandmother was a devout -- nay, slavish -- Catholic, and it was thanks to her that I received my religious training at Our Lady of Refuge, a stone, neo-Norman-like structure at the corner of Ocean and Foster avenues. (My grandmother converted her bedroom into a kind of chapel/shrine. I seem to remember that a dressing table also doubled as an alter. In other words, it was kind of scary).

Our Lady of Refuge was where I was also baptised, confirmed, celebrated my First Communion, and also where I developed my first anti-clerical animus. The church basement doubled as my Boy Scout meeting place and the venue where resident nuns would berate us if we did not leave room when seated for our guardian angels. Upstairs, in the 'telephone' booths of the sanctuary, the priests would berate us for any hiatus in their official mind-control system. (Woe to he who professed, 'Oh my father, my last confession was three weeks ago....' 'What!.... After the requisite tongue-lashing, being assigned to recite about five Hail Marys was getting off light).

My father was an atheist. So was Toribio and his other sons, as far as I could tell.

Parking nearby, Bob and I found our way to the church's office. 'Sorry, the sanctuary is closed,' we were politely, but firmly, told by the sexton, a middle-aged woman who spoke with a Caribbean lilt.

Like the church congregation, the neighbourhood itself now seemed mainly made up of coloured folk, of Jamaican descent. In other nearby parts of Ocean Avenue were Indian and Pakistani immigrants. As Bob and I later descended onto Flatbush Avenue, we discovered, here in the heart of the neighbourhood, the vibrancy of island culture. This, amid the hub-bub open-air markets, spotless streets, and jostling crowds. Some shops soldiered on with white owners. Others were converted to new uses. The old A&P, which Elena persisted in calling the 'Altantico y Pacifico,' is now the Homeplace Furniture store. (My friends and I used to, in the old A&P, return bottles we collected in alleys and byways in exchange for deposits). An ice-cream parlour at the corner of Newkirk and Flatbush was just a memory.

If anything, and to my astonishment, the neighbourhood seemed stable and approaching a middle-class status. Single-family houses go for almost $500,000.




East 22nd Street was how I remembered it. How could this be? Yet, there was the same alley (albeit narrower) where we used to play stickball. (I was always 'called' last, unless my cousin Bernie had a say). There was the corner where I scarred my right knee when I tripped on glass in a small dirt patch. (The scar is still there, and so, as I noticed, are some new shards of glass in the same dirt patch). The driveway, where my dad's DeSoto (boy, I loved that exterior spotlight) was parked. I looked up to the window of the apartment where a friend's mother offered me a cream cheese sandwich -- with olive bits. How exotic, I thought. Not far away were the bushes where I was thrown when I was thrashed by some boys after school. My first schoolboy fight. I lost.

Wearing short pants. Lending libraries. The BMT over the Brooklyn Bridge.

There was, of course, the street itself, which we would commandeer for ball games, and its inner sinews where, behind garbage cans and such, we'd duck out of sight for hide-and-seek. I could still hear Mrs. Kroberger calling -- more cackling -- from her apartment house window for our friend (her son) Buster to return home.

And, finally, the Ostrow house, next door to ours.

Mr. Ostrow was an officer in the Fire Department, and, to me, apparently because he served many nights away, a kind of vague figure. And menacing. This, despite our family being friendly with his, and his son, Jacky, being my best friend. When I broke a window in Mr.Ostrow's garage door with a arrow, flung innocently from my bow, I trembled in fear for what would happen when our neighbour returned. Nothing did.


The Ostrow house also housed our family GP, Dr. Landesberg. He also scared the bejesus out of me.

Still, for the most part, this was a place of joy. On summer nights we'd assemble on the front porch, the men, drinking beer and we, way past our bed-times, listening to the youthful happiness of our elders. The bounty of Christmas, again surrounded by family and extended family like the Salleses. Huge feasts, prepared by Toribio who fancied himself a chef extraordinaire. And Lionel trains. The big ones. In the winter, laughter emanated from a sitting room, where adults by night would weekly surround a new-fangled black-and-white television to tune to I Love Lucy. In front parlour was my dad's library, a hi-fi, and a party-line telephone (GE8-6524), where we'd receive the rare call when Ralph was travelling in South America on business.

Still, change was equally palpable.

My old elementary school, P.S. 152, housed in a French château-like structure on Glenwood Road, then, as now, akin to a suburban oasis, had been converted into P.S. 315, the School of the Performing Arts. It was there, when as P.S. 152, that my 4th grade teacher, Mrs. Eleanor Gochman, arranged that I'd be appointed a AAA monitor when I had been originally passed over. (That was important. Very important. My cousin Bernie was AAA, you see). P.S. 152 itself, I discovered, has been relocated nearby to a spiffy new, purpose-built building and dubbed as the 'School of Science & Technology.')

In addition, I detected an eerie silence. I remember constant shouting on our street, the rah-rah of ball-playing, opened fire hydrants, the roar of traffic, interspersed with cars honking as we hogged and clogged the street with bikes and scooters. There was none of that now, even though it was well into the afternoon and well after schools being let out. I saw no one playing stoop ball, as I had once long ago. There was no one playing punch ball. No one 'digging to China,' an engineering feat Bernie, Jacky, and and I once undertook in our backyard behind the neighbouring the Flatbush Church of Redeemer. (In the Lutheran church's basement I saw my first magic show).

No one was trading baseball cards. No one was snapping Pez containers. Off Flatbush Avenue, the streets were nearly deserted.

What had happened to the cacophony of Hit Parade music that used to waft from windows and car radios? Even, the orphan sound of classical orchestral music that would drift down the street from time to time?

Of course, I knew my family was unlike others. How exactly, I wasn't sure. Other than I had been to the the city many times. I had visited Metropolitan Museum of Art and the American Museum of Natural History. My clothes were purchased at Brooks Brothers, where the salesmen in the Madison Avenue shop knew my father by name. My toys came from F.A.O. Schwarz, the old one across from the Plaza. Small things. But I really didn't know how different until an afternoon when I heard the classical music and as I walked by two men who were shaking their heads in disbelief. 'Who's that jerk playing that long-hair music?' one man said to other. Yes, in those days they actually said 'long hair.' And, yes, the 'jerk' they were talking about my father.

Soon after, we moved. That was more than five decades years ago. I now returned to reclaim my inner-Brooklyn. Funny, I realised, I had never really lost it.

Post-Script
Not long after my family, including Zippy, moved to Nassau, the brothers sold No. 593, and Uncle Andy, Aunt Eda, J.J., and Anita moved to New Jersey. Toribio and Maria Elena moved with them. Uncle Charlie, Aunt Thelma, Bernie, and Mark moved, first, to an apartment on Ocean Parkway (with the slowest two-person elevator in the history of mankind, I remember) and later to an apartment on 15th Street, near Fifth Avenue, in the city; then to Long Island; and, finally, to Mexico City. After Toribio died in New Jersey, Maria Elena moved to Mexico, though she undertook extended trips to Europe to visit my parents from time to time. She died in Mexico City.

Charlie, Thelma, Ralph, and Marion have since died.


Andy and Eda now live near Atlanta, with their youngest, Andrea. Anita lives in New Jersey. J.J., in Washington state.

Bernie lives in Austin, Texas. Mark, in Los Angeles.

The Ostrow family moved to Florida, where Jacky still lives. (He's a Facebook friend).

I have no idea where Buster might be.

Zippy died in Nassau.

Thursday, 18 August 2011

John O'Hara Society



At Connelly's, from left, Robert Knott, Steven Goldleaf,
Richard Carreno, Jackie Atkins, Brian Maxwell, Jessica Rettig,
Robert Saliba, Jenny Saliba, Joan T. Kane, KC Rice, and Peter Frishauf

Lunch, Screening, Business
at O'Hara Society Meeting

About a dozen members of the John O'Hara Society, (see photo above) shared lunch, comradrie, and hoisting a toast to their favourite authhor at a annual summer meeting in New York. The international organisation celebrates the work and life of the 20th-century Pennylvania author.

The lunch was held Saturday, 13 August, at Connelly's on 47th Street, whereupon thanks to Pal Robert Knott we saw Robert Montgomery's portrayal of Julian English in a television tele-play of Appointment in Samarra. The screening was held at the Paley Center. Many thanks, Robert, for arranging this highlight!

We retreated to a pub -- aptly named Butterfield 8 -- for drinks, coffee, and dessert.


Thursday, 30 June 2011

Fly on the Wall

On a Jet Plane, Boss

By Don Merlot
[Writers Clearinghouse News Service]

Land O' Lakes, Florida
London, in 1972, was absolutely exciting, as I was still a novice, in the merging international trade world, as an entry-level manager. I still had to pinch myself that I was being paid to travel, and here on this to England was in the front of a 747 cabin. Of course it was costly, and our travel policy directed us to travel economy class. But this trip was with the big divisional
boss, Jerry, and he had me in tow as I was being introduced as the new
regional manager to the major European accounts. What made this trip so
exciting was that traveling with the big boss was all the attention
we were given from the travel world and local business’ managing
directors. Our meetings, negotiations, and dinners was really very special.


I started off in Madrid and then on to London and the continent, to see how European plutocrats enjoyed life. The WAR had ended 27 years before, and it was my first encounter with the continent that suffered so much in the middle of the century. For Jerry, who had lived in Europe and the Middle East, it was a return to his earlier career. I was able to meet people that
were way beyond my scope of influence. I recognized that I was making a
first impression, and being with the International Division leader was
a continuing part of my growth and development. The major focus was
introducing me to new counterparts and knowing that I was the chosen
one to take our products to Europe.

I was still forming my expectations and when this opportunity came up.
I jumped at the chance to take the responsibility for sales to Europe.
It was a product development and market development opportunity.
Following the advertising tasks in New York, and now seeing how Europe worked was going to be very challenging.

Traveling to New York had enabled me to learn about top restaurants and
French wines and cuisine. From my Italian friends I picked up a lot
about Italian foods and wines. What really intrigued me or I think my
expectation was traveling to London. All of the pomp and circumstance.

I knew that the business travel was to get me up to speed, but here I
was trying to get my personal objectives down for my new assignment.
Focus on the differences of Americans and the British, look for
differences of the Spanish from the Spanish America I knew, and
understand the Dutch and their culture as it relates to the America
that stopped the Nazi’s. As for the food, I knew little of Swiss,
Dutch, and English food.

The London portion of this trip was a wine and food eye opening
experience. It was a lesson in fine wine, food and English manners. .
The one night in London that had the greatest impression on me was the
night that Jerry’s former Syrian distributor invited us to a festive
evening in London town. He now lived in London and was a partner in a
major stock investment company. He collected us, as the Brits say in
his Rolls Royce, at our hotel and we went to a top gambling casino in
mid-London. Of Course it was very up-scale and superior to anything I
had seen in New York or Chicago. As our host played the roulette
briefly I noticed that he played but for a couple of minutes but very
successfully. Our host accumulated over £35,000 (The exchange then was
2.40 to 1). He was very amused by his good fortune and declared dinner
was on him. We were off to a famous Michelin 3 star French restaurant
for the best meal I have ever had. The host ordered the wines and the
meal for us.

Jerry told me the next day that what I experienced was common in Europe
when invited out on the town. The dinner was ordered to apply to the
guest of honor (Jerry). This type of fare was not normal and I should
just roll with it. The First course was fresh oysters and piquant
sausages. The white wine that matched this was Bordeaux: a Cru Classé
from Graves - Chateaux Carbonnieux. And for the second course we had a
filet de Bouef with a green pepper sauce with Potatoes and steamed
vegetables. The red Bordeaux was a Premier Cru from Medoc: a
Lafite-Rothchild, considered the best wine in the world by the world
and English oenophile. Jerry emphasized that people of means do not
look at the cost, as this was the most expensive meal I would ever have
with the world’s best wines, but shared with us because this was
pleasing to the palate and was in honor his friendship.

I had been drilled and groomed for this day, and when it came it was a
big surprise. This repast was phenomenal. In those days having been in
New York at some of the best restaurants, I expected to have been on
the pinnacle of “gastronome,” but this did not happen and I sat back
as if I were ‘Dorothy going down the yellow brick road on my way to
emerald city’. I am sure my mouth was open as I gapped at the regal
treatment.

The oysters and sausages were perfect and service was impeccable. But
the piece de resistance was the bouef. One piece was served to all
three, I imagined it was a Chateaubriand, cooked to absolute perfection
with a poivre sauce that had a trace of calvados and was very
palatable; and then came the potato croquettes which were new to me.
The wines were crisp and velvety and matched perfectly. I can still
recall the savory sensations.


This is not to minimize the rest of the stops I was taken along the way
to meet new people and cultures. Some of my other ports of Call were
Madrid and Holland and Switzerland. All had a great warm welcome for
us. I learned about a lot of differences, remembering the rules I was
taught by the mentors. Always look for the differences. The Swiss were
a big challenge, as they spoke English well, and I kept soaking up new
experiences in business, culture, wine and food.

I enjoyed visiting a little restaurant in Lausanne that became a good
rendezvous point for overseas guests. We met with a friend and
corporate counsel at a little place called the grappe d’or. The name
fascinated me because of link to wine. The golden grape (bunch). Of
course the history of that area is very intertwined with Rhone in
France and the wines of Switzerland.

Our host ordered a magnificent red Rhone wine that went perfect with a
red meat platter. I had not had a lot experience with Rhone wines and I
loved the intensity of the Grenache varietal. We savored also the Syrah
and a Chateauneuf-du-Pape. There was tremendous pride on the wines that
were harvested only a few miles away from there.

In Spain the Managing Director of our distributor also wanted to put
forth the best of the Spanish cuisine and wine for Jerry’s visit and he
ordered a beautiful Rioja Reserva: Marques de Riscal that went with the
legendary lechon – baby suckling pig. Fantastic!

Two valuable lessons I learned -– differences. Look for them, even within
the same culture. I thought learning in school, the university, and
grad school was complete, but it was not true. The French are a mosaic, as
were the Swiss, English, and Dutch. And after my one visit in these
countries, I could write a book. But in the year I traveled I could
write with certainty about each country less and less. The more your
learn the less you know.

I was seeing Europe through my mentors’ eyes, but soon I would learn
more through my new business associates eyes. There is no question when
it came to food each country has its own likes and dislikes. I also
learned as I learned the locals learned about Americans through me. The
number one issue is that the local knows more about America than I know
about the local country. I think that is a general assumption that most
Americans would question, but I took my first steps through England and
Europe I had to tack it up in a memory cell.

At the end of the trip I counted my many fortunes of learning and
travels of my new experience. Here I was and had tasted the reputed
No. 1 wine in the world. The Steak au Poivre and wine would be
the most expensive dinner I would ever consume. As I traveled I was an
American, spoke American, and represented American values.

(Ron Alonzo, The Philadelphia Junto's wine and food critic, writes under the name Don Merlot. He welcomes queries, and may be contacted via Writers.Clearinghouse@comcast.net).


Thursday, 5 May 2011

That was Then...

 All photos: Writers Clearinghouse
The site, above, on MacDougall Street where the
 famed Figaro Cafe was once located.

...This Is Now


Across the street, the equally
 well-known Cafe Borgia was located.

The Riviera Cafe, at 6th Avenue and Christopher Street, hasn't changed. It was a favourite lunch spot, with friends and family.

At 6th Avenue and Christopher Street, the site of old Village Voice when Norman Mailer and other writers of that period wrote for it.

Just a few doors from Village Voice corner,
 the site of the old Lion's Head Restaurant.

At corner of 8th Avenue and West Fourth Street, my old second-floor apartment at 340 West Fourth Street. There were about six of us, including
 at one time or another Mark Alpert,
 Terry Bagg, and Joanne Putnoi.

Below was the deli owned by Mr Camacho, who also owned the building. We'd pay rent to him, while buying cigarettes and other supplies. My brand was Gitanes bout filtres. 

Incredibly, the deli sign is still there, though the deli area is a chi-chi gift shop.

Sunday, 30 January 2011

From The New Yorker

Well....

Well, you can take the Subway Surface fom 30th Street Station, or you could walk three blocks north....

The Philadelphia Junto depends exclusively on reader support. Please help us continue by contributing directly via PayPal, or by contributing editorial content via Writers.Clearinghouse@comcast.net. Empowered by Writers.Clearinghouse | S.P.Q.R.

Thursday, 15 April 2010

Picasso Breaks Out All Over

Bits and bobs:
Philadelphia Museum at a glance


Claire Howard, right
By Richard Carreno
Junto Staff Writer Bio 
From Philly to New York, Picasso is breaking out all over.

On the heels of the Philadelphia Museum of Art's wildly successful in-house show of works by Pablo Picasso, 'Picasso and the Avant-Garde in Paris,' the Metropolitan Museum of Art will also showcase its permanent collection of works by the Spanish artist (1881-1973) in a retrospective that begins 27 April, running to 1 August.

Actually, the Philly and New York exhibits will overlap for a few day as the Philadelphia Museum's show has been extended to 2 May.

Interestingly, both shows also coincides with a show of Picasso prints, now on exhibit through 1 May at the Marlborough Gallery, 40 West 57th Street, New York.

In its current on-line newsletter, the Philadelphia Museum warns, 'Now or never -- don't miss your opportunity to experience this outstanding exhibition!'

The museum also billboards a 'sound bite' from The Wall Street Journal, calling the show, curated by Michael Taylor, as 'smart, informative, witty.' (No mention is made of a New York Times review that was considerably less impressed).

Like the Philly exhibit, the Met's show will also feature pieces from its permanent collection. However, the show will not be limited to a particular timeline, as is the case with the Philly exhibit and the current exhibit at the Marlborough Gallery, titled 'Celebrating the Muse: Women in Picasso's Prints From 1905-1968.'

In a statement, the Met said, 'The exhibition encompasses the key subjects foir which Picasso is so well known....'

Includes will be 300 works, featuring 34 paintings, 58 drawings, a dozen sculptures and ceramics, and an extensive selection of prints.

The Met show also differs from the Philadelphia Museum exhibit in that it will not skimp by not offering a show catalog. (This was a major flaw in the Philly show in that it undermined scholarship). The Met catalog is funded by the Iris and B. Gerald Cantor Foundation.

***
Many thanks!
Many thanks to all -- almost 200 fans, at last count -- who signed up at my Philadelphia Museum group site at Facebook.com/WritersClearinghouse.

Let's stay in touch! Go the FB as often as you to follow updates at Examiner.com and The Philadelphia Junto -- and news bites not published here -- that exclusively target the Philadelphia Museum, our city's most important cultural resource. Hope to hear from you.

***
Golden Girl
A celebration of the return of the statue of Jeanne D'Arc, the golden girl of the Benjamin Franklin Parkway, will begin at 2 pm Thursday, 22 April, at the Philadelphia Museum of Art.

Kicking off the event will be a tour of the museum's Arms and Armor Collection, followed at 3 pm by a bus ride to the Perelman Building, where champagne and cakes will be served. At 4 pm, the restored, newly-bronzed sculpture of of Joan of Arc, created by Eugene Fremiet, will be unveiled.

Speaking at this ceremony will be Mayor Michael Nutter; Margot Berg, Philadelphia Public Art Director; and Julia Ward and Valerie de Conde, both of French Heritage Philadelphia.

Philly's Jeanne D'Arc statue is one of three that I know of. Another in New Orleans. And one in Paris.

See you at the ceremony. Look me up!

***
Picasso blog
The museum has created a dedicated blog to the Picasso show. Earlier this month, Claire Howard (see featured photo) was showcased as curatorial research assistant to modern art curator Michael Taylor.

The Philadelphia Junto depends exclusively on reader support.Please help us continue by contributing directly via PayPal, or by contributing editorial content via Writers.Clearinghouse@comcast.net. Empowered by Writers.Clearinghouse | S.P.Q.R.