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Celebrating The PJ's 50th Year as a Charivari of the Lit'ry Life | WritersClearinghouse@yahoo.com | Richard Carreño, Editor | No. 276 October 2026| Meeting @ Philadelphia © MMXXVI WritersClearinghouse. | See us @ "PJ" via Facebook. Donations via PayPal. Dedicated to the memory of Ralph J. Carreño. Nothing herein may be published in any other media without the permission of the Editor. Est. 1976 in Fabyan, Connecticut
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Showing posts with label Carreño Family. Show all posts
Showing posts with label Carreño Family. Show all posts
Friday, 25 October 2024
Thursday, 21 April 2016
Maria Elena Carreño de Granados
![]() |
| Nana and Papa: Circa 1950 Brooklyn, New York |
| Joaquin A. Perez 18 |
By Richard Carreño
[WC News Service]
MEXICO CITY.
| Emerson 243 |
The trajectory of her travels was linked to the fortunes -- and a worldwide deployment -- of my family. With the notable exception, that is, of how Maria Elena Granados wound up as a twenty-year-old in New York City, in 1915.That involved work. Employment, she explained to me, as a nanny for the wealthy Colombian family whom she had accompanied to New York while the family was on a temporary assignment there.
Tuesday, 26 May 2015
Carreño de Miranda
COURTING CONTROVERSY
By Richard Carreño
[WC News Service]
MADRID -- I have two great painters in the family.
One was my grandfather, Toribio Carreño, an early 20th-century immigrant from Cuba, who was house painter in New York.
The other is Juan Carreño de Miranda, a 17th-century Spanish court painter.
They both worked in oils.
That's pretty much where their artistic similarities begin and end. Toribio went on to have his ephemeral masterpieces take pride of place on several residential blocks in Brooklyn. Juan's works have proven to be more timeless, taking pride of place in the Museo Nacional del Prado here.
Family legends are often dodgy, more fun to playfully indulge in than rigorously inspect, and thus it's often best not to scratch too deeply into genealogical details.
Still, it's more than just amusing to associate one's own DNA with a historical figure, especially a personage who can link a family's roots to a glamorous, regal past. True, Carreño de Miranda (1614-1685) wasn't as skilled, prominent, nor as well-connected as his contemporary Diego Valázquez (1599-1660). Valázquez painted kings. Carreño, for the most part, painted dukes and lesser royalty. (Though, as a royal painter, he still did get a few cracks at depicting Mad King Charles II in a few unflattering portraits).
Wednesday, 14 May 2014
Long-legged Blonds
| What no snails? Gary Lee Kraut filtring absinthe during a recent lunch Photo: WritersClearinghouse News Service/Richard Carreño |
In Praise of Tour Guides
By Richard Carreño
[WritersClearinghouse News Service]
Paris
On my first trip to Europe, to London as a teen-ager in the early-60s, my father had arranged for our family to be guided about the city, my first experience with a touring service. We settled comfortably in a big car, shepherded by stoic 'right-you-are,-guv'ner' type driver in the buttoned-up standard uniform of that period and our guide, long-legged blond in a micro-mini. (Also standard issue. Remember Swingin' London?)
Sitting in the back seat, trying to ignore my younger sister, Roberta, I had the best view of London possible. Her legs.
In the fifty-odd years since, I haven't had much use for guided tours (long-legged blonds are another story); rather, navigating my way around the world under my own steam. Strictly do it yourself, you see. Some notable exceptions have involved visits to Saudi Arabia, Ukraine, and Israel.
Recently, I've changed my mind. About guided tours, that is.
Sunday, 26 August 2012
Andrew Carreño R.I.P.
Andrew M. Carreño, 89 of Canton, GA, formerly of Montville, NJ died peacefully at his home in Canton, GA on Wednesday August 22.
Funeral Services will be held on Tuesday August 28, 2012 at Dangler Lewis & Carey Funeral Home, 312 West Main Street in Boonton at 9 am. Then to Saint Pius X Roman Catholic Church in Montville for the Funeral Mass at 10am. Entombment will follow at Gate of Heaven Mausoleum in East Hanover. Visiting will be Monday from 3-7 pm. Letters of condolence may be posted at danglerlewisandcareyfuneralhome.com.
Mr. Carreño was born in New York, and lived in Montville before moving and retiring in Georgia. He was the co-owner of Carreño & O'Neil Shipping Co., Inc. of Lower Manhattan for many years before retirement.
Mr. Carreño proudly served in the United States Army Air Corps in the Pacific Conflict during World War II. While in the service, he was awarded the American Service Medal, Asiatic-Pacific Service Medal, Good Conduct Medal, and the Word War II Victory Medal. Andrew was an avid swimmer and enjoyed spending time with his family. Loving his family and watching them grow brought him the greatest joy.
Andrew was the loving son the late Toribio and Maria Elena Carreño. Beloved husband of 65 years of Eda J. Carreño (nee Lopardo). Devoted father of James. J (Jim) and his wife Marianne, Anita M. Bineau and her husband Jim, and Andrea Arnett and her husband John. Cherished grandfather of 11. Great Grandfather of eight. He is also survived by numerous nieces and nephews.
Monday, 26 March 2012
Reprinted from The Brooklyn Daily Eagle
Personal Reminiscence:
Reclaiming My Inner Brooklyn
Richard Carreño stands in front of his former residence at 583 E. 22nd St., Flatbush.
More important, after years of living elsewhere — the Bahamas, France, England, and, now, Philadelphia — I was finally ready to join the ranks of countless others who realized that the roots of their identity (however shaped, massaged and contrived in subsequent years) were born in the hardscrabble of their past. My denial, while lodged in the more polished social and educational perches of my later years, where the fast-talking, wise-guy personae of a Jackie Gleason or a William Bendix character were hardly ideal — slipped away as I grappled with my newfound identity as a Brooklynite.
Thanks to Bob Oppedisano behind the wheel, my old Brooklyn almost immediately came into focus. We circled the imposing victory arch in Grand Army Plaza, which had been my first taste of martial triumphalism. Nearby was the Brooklyn Museum, the place of my first up-close-and -personal arts exposure, and where I also heard full-orchestrated concert music for the first time. (My, my, to be able to play the kettle drum, I mused then.).
Bob was in his element. He, too, was a Brooklynite, having grown up in Carroll Gardens, and he tooled the streets with savvy aplomb. As we approached magnificent Ocean Parkway, the years were flipping back like one of those flashback calendar scenes in a 1940s movie. The gritty, cinder bridle path that once spoke of the elegance of the parkway was now paved. “Long gone,” said Bob.
When Bob and I first met in the 60s as journalism undergraduates at New York University, I was fashioning myself as a sort of ex-Parisian from Michigan. (This odd contortion of identity reflected the fact that I had been living with my parents in France before a job transfer required my father to move to the Midwest). At that point, Brooklyn still had no attraction. Given my journalism proclivity, why I had never thought to align myself with the legendary historic spirit of Brooklyn Eagle reporter Walt Whitman or then-raging histrionic spirit of Norman Mailer mystifies me.
Flatbush was in sight as he turned onto Foster Avenue, heading east to Ocean Avenue and East 22nd Street. I was struck that everything was “smaller.” The distances, not as great. The buildings, not as towering.
Otherwise, the infrastructure was frozen in time.
My time was an almost 11-year span from my birth in 1946 to 1957. During that period, we Carreños lived in a rambling three-story, barn-like structure (3,110 square feet) at 593 East 22nd St. It was one of five single-family houses on the east side of the street built just after the turn of the 20th century. Low-lying apartment houses lined the rest of the street.
Our family was overseen by the family patriarch, my paternal grandfather, Toribio, a tyrannical overlord of Spanish extraction who had immigrated from Cuba to New York in the 1920s. In sharp contrast to the taciturn Toribio, a tobacco-chewing ex-house painter and building super, was his younger wife, my grandmother, Maria Elena, who remains among the kindest, most forgiving and compassionate individuals I have ever met.
Then there was the rest of us, and what a mixture! My father, Ralph (born Rafael), the youngest of three brothers. My mother Marion; my sister Roberta, born in 1956; and our dog Zippy, a black-and-white mutt. We inhabited No. 593’s first floor. On the second floor, and later in a renovated attic, lived my Uncle Andy (the middle brother), his wife Eda and my cousin James, known as J.J. I think my cousin Anita was born about then as well. In the attic’s rear were my grandparents. Toribio and Elena’s eldest son, Charles, or Charlie, was next door in another single-family house with his wife Thelma and my cousins Bernie and Mark. It would not be an over-statement to note that we were a tight family.
In many ways, we also mirrored the ethnic mix of Flatbush, then a largely working-class neighborhood that harbored, harmoniously, a ethnic diversity that ranged from Irish and Italian Catholics to Eastern European Jews. (Flatbush Avenue at the time was a corridor of kosher delis, where my fondness for knish and pastrami was born). My mother was Jewish, and so was my aunt Thelma. My aunt Eda was of Italian heritage, from upstate New York. My grandmother was a devout Catholic, and it was thanks to her that I received my religious training at Our Lady of Refuge, a stone, neo-Norman-like structure at the corner of Ocean and Foster avenues. (Elena converted her bedroom into a kind of chapel. I seem to remember that a dressing table doubled as an altar. In other words, it was scary).
Our Lady of Refuge was where I was baptized, confirmed, celebrated my First Communion, and also developed my first anti-clerical animus. The church basement, where the nuns would berate us if we did not leave room when seated for our guardian angels, doubled as my Boy Scout meeting place. Upstairs, in the “telephone” booths of the sanctuary, the priests would berate us for any hiatus in their system. (Woe to he who professed, “Oh my father, my last confession was three weeks ago....” “What!” ... After the requisite tongue-lashing, being assigned to recite about five Hail Marys was getting off light.)
My father, on the other hand, was an atheist. So were Toribio and his other sons, as far as I could tell.
Parking nearby, Bob and I found our way to the church’s office. “Sorry, the sanctuary is closed,” we were politely, but firmly, told by the sexton, a middle-aged woman who spoke with a Caribbean lilt.
Like the church congregation, the neighborhood itself now seemed mainly made up of folk of Jamaican descent. In other nearby parts of Ocean Avenue were Indian and Pakistani immigrants. As Bob and I later descended onto Flatbush Avenue, we discovered the vibrancy of island culture, with its open-air markets, spotless streets and jostling crowds.
Some old shops still soldiered on with white owners. Others were converted to new uses. The old A&P, which Elena persisted in calling the “Altantico y Pacifico,” is now the Homeplace Furniture store. An ice cream parlor at the corner of Newkirk and Flatbush was just a memory.
The neighborhood seemed stable, approaching a middle-class status. Single-family houses go for almost $500,000.
East 22nd Street was how I remembered it. How could this be? Yet, there was the same alley (albeit narrower) where we used to play stickball. (I was always “called” last, unless my cousin Bernie had a say.) There was the corner where I scarred my right knee when I tripped on glass in a small dirt patch. (The scar is still there, and so, I noticed, are some new shards of glass in the same dirt patch.) The driveway, where my dad’s DeSoto was parked. I looked up to the window of the apartment where a friend’s mother offered me a cream cheese sandwich with olive bits. How exotic, I thought. Not far away were the bushes where I was thrown when I was thrashed by some boys after school. My first schoolboy fight. I lost.
There was, of course, the street itself, which we would commandeer for ball games, and its inner sinews where, behind garbage cans and such, we’d duck out of sight for hide-and-seek. I could still hear Mrs. Kroberger calling from her apartment house window for our friend (her son) Buster to return home.
And, finally, there was the Ostrow house, next door to ours.
Mr. Ostrow was an officer in the Fire Department, and, to me, a kind of vague figure, because he spent so many nights away. He also seemed menacing — this despite our family being friendly with his, and his son, Jacky, being my best friend. When I broke a window in Mr. Ostrow’s garage door with an arrow, flung innocently from my bow, I trembled in fear for what would happen when our neighbor returned. Nothing did.
The Ostrow house also housed our family GP, Dr. Landesberg. He also scared the bejesus out of me.
Still, for the most part, this was a place of joy. On summer nights we’d assemble on the front porch, the men drinking beer and we, way past our bedtimes, listening to the youthful happiness of our elders. The bounty of Christmas, again surrounded by family and extended family. Huge feasts prepared by Toribio, who fancied himself a chef extraordinaire. And Lionel trains — the big ones. In the winter, laughter emanated from a sitting room, where adults by night would surround a newfangled black-and-white television to tune in to I Love Lucy. In the front parlor were my dad’s books, a hi-fi and a party-line telephone (GE-8-6524), where we’d receive the rare call when Ralph was travelling in South America on business.
My old elementary school, P.S. 152, housed in a French chateau-like structure on Glenwood Road, had been converted into P.S. 315, the School of the Performing Arts. It was there, when as P.S. 152, that my fourth-grade teacher, Mrs. Eleanor Gochman, arranged that I’d be appointed a AAA monitor when I had been originally passed over. That was important. Very important. My cousin Bernie was AAA, you see. P.S. 152 itself, I discovered, has been relocated nearby to a spiffy new, purpose-built building and dubbed as the School of Science and Technology.
In addition, I detected an eerie silence. I remember constant shouting on our street, the rah-rah of ball playing, open fire hydrants, the roar of traffic, all interspersed with cars honking as we hogged and clogged the street with bikes and scooters. There was none of that now, even though it was well into the afternoon and well after school being let out. I saw no one playing stoop ball or punch ball. No one “digging to China,” an engineering feat Bernie, Jacky and I once undertook in our backyard behind the neighboring Flatbush Church of Redeemer.
No one was trading baseball cards. No one was snapping Pez containers. Off Flatbush Avenue, the streets were nearly deserted.
What had happened to the cacophony of Hit Parade music that used to waft from windows and car radios, or the orphan sound of classical orchestral music that would drift down the street from time to time?
Of course, I knew my family was unlike others. I had been to the city many times. I had visited the Metropolitan Museum of Art and the American Museum of Natural History. My clothes were purchased at Brooks Brothers. My toys came from F.A.O. Schwarz. But I really didn’t know how different until one afternoon when I heard the classical music and I walked by two men who were shaking their heads in disbelief. “Who’s that jerk playing that longhair music?” one man said to the other. Yes, in those days they actually said “longhair.” And, yes, the man they were talking about was my father.
Soon after, we moved. That was more than five decades ago. I now returned to reclaim my inner Brooklyn. Funny, I realized, I had never really lost it.
___________________________________
Carreño is a partner in the Philadelphia-based online bookshop @philabooks|booksellers (www.philabooks.webs.com), a former lecturer at the American University in London, and the author of Lord of Hosts: The Life of Sir Henry ‘Chips’ Channon.
Reclaiming My Inner Brooklyn
By Richard Carreño
Special to Brooklyn Daily Eagle
PHILADELPHIA — Every city kid who has moved away has an “old neighborhood.”
Mine is Flatbush, a vibrant ribbon of racial and ethnic diversity that cuts through the heartland of Brooklyn. Until recently, it was also a place and a bit of personal history that I long ignored, or, maybe, even longed to forget.
Increasingly, over the past few years, all that turned around, and in one of those marvelous contradictions that accompany age, reconnecting with Brooklyn now became a kind of longing. And that recently resulted — after 55 years! — in my first return to the old ’hood, East 22nd Street between Newkirk and Foster avenues. A change of heart? Certainly. An old man’s sentimentality, surely.
Thanks to Bob Oppedisano behind the wheel, my old Brooklyn almost immediately came into focus. We circled the imposing victory arch in Grand Army Plaza, which had been my first taste of martial triumphalism. Nearby was the Brooklyn Museum, the place of my first up-close-and -personal arts exposure, and where I also heard full-orchestrated concert music for the first time. (My, my, to be able to play the kettle drum, I mused then.).
Bob was in his element. He, too, was a Brooklynite, having grown up in Carroll Gardens, and he tooled the streets with savvy aplomb. As we approached magnificent Ocean Parkway, the years were flipping back like one of those flashback calendar scenes in a 1940s movie. The gritty, cinder bridle path that once spoke of the elegance of the parkway was now paved. “Long gone,” said Bob.
When Bob and I first met in the 60s as journalism undergraduates at New York University, I was fashioning myself as a sort of ex-Parisian from Michigan. (This odd contortion of identity reflected the fact that I had been living with my parents in France before a job transfer required my father to move to the Midwest). At that point, Brooklyn still had no attraction. Given my journalism proclivity, why I had never thought to align myself with the legendary historic spirit of Brooklyn Eagle reporter Walt Whitman or then-raging histrionic spirit of Norman Mailer mystifies me.
Flatbush was in sight as he turned onto Foster Avenue, heading east to Ocean Avenue and East 22nd Street. I was struck that everything was “smaller.” The distances, not as great. The buildings, not as towering.
Otherwise, the infrastructure was frozen in time.
My time was an almost 11-year span from my birth in 1946 to 1957. During that period, we Carreños lived in a rambling three-story, barn-like structure (3,110 square feet) at 593 East 22nd St. It was one of five single-family houses on the east side of the street built just after the turn of the 20th century. Low-lying apartment houses lined the rest of the street.
Our family was overseen by the family patriarch, my paternal grandfather, Toribio, a tyrannical overlord of Spanish extraction who had immigrated from Cuba to New York in the 1920s. In sharp contrast to the taciturn Toribio, a tobacco-chewing ex-house painter and building super, was his younger wife, my grandmother, Maria Elena, who remains among the kindest, most forgiving and compassionate individuals I have ever met.
Then there was the rest of us, and what a mixture! My father, Ralph (born Rafael), the youngest of three brothers. My mother Marion; my sister Roberta, born in 1956; and our dog Zippy, a black-and-white mutt. We inhabited No. 593’s first floor. On the second floor, and later in a renovated attic, lived my Uncle Andy (the middle brother), his wife Eda and my cousin James, known as J.J. I think my cousin Anita was born about then as well. In the attic’s rear were my grandparents. Toribio and Elena’s eldest son, Charles, or Charlie, was next door in another single-family house with his wife Thelma and my cousins Bernie and Mark. It would not be an over-statement to note that we were a tight family.
In many ways, we also mirrored the ethnic mix of Flatbush, then a largely working-class neighborhood that harbored, harmoniously, a ethnic diversity that ranged from Irish and Italian Catholics to Eastern European Jews. (Flatbush Avenue at the time was a corridor of kosher delis, where my fondness for knish and pastrami was born). My mother was Jewish, and so was my aunt Thelma. My aunt Eda was of Italian heritage, from upstate New York. My grandmother was a devout Catholic, and it was thanks to her that I received my religious training at Our Lady of Refuge, a stone, neo-Norman-like structure at the corner of Ocean and Foster avenues. (Elena converted her bedroom into a kind of chapel. I seem to remember that a dressing table doubled as an altar. In other words, it was scary).
Our Lady of Refuge was where I was baptized, confirmed, celebrated my First Communion, and also developed my first anti-clerical animus. The church basement, where the nuns would berate us if we did not leave room when seated for our guardian angels, doubled as my Boy Scout meeting place. Upstairs, in the “telephone” booths of the sanctuary, the priests would berate us for any hiatus in their system. (Woe to he who professed, “Oh my father, my last confession was three weeks ago....” “What!” ... After the requisite tongue-lashing, being assigned to recite about five Hail Marys was getting off light.)
My father, on the other hand, was an atheist. So were Toribio and his other sons, as far as I could tell.
Parking nearby, Bob and I found our way to the church’s office. “Sorry, the sanctuary is closed,” we were politely, but firmly, told by the sexton, a middle-aged woman who spoke with a Caribbean lilt.
Like the church congregation, the neighborhood itself now seemed mainly made up of folk of Jamaican descent. In other nearby parts of Ocean Avenue were Indian and Pakistani immigrants. As Bob and I later descended onto Flatbush Avenue, we discovered the vibrancy of island culture, with its open-air markets, spotless streets and jostling crowds.
Some old shops still soldiered on with white owners. Others were converted to new uses. The old A&P, which Elena persisted in calling the “Altantico y Pacifico,” is now the Homeplace Furniture store. An ice cream parlor at the corner of Newkirk and Flatbush was just a memory.
The neighborhood seemed stable, approaching a middle-class status. Single-family houses go for almost $500,000.
East 22nd Street was how I remembered it. How could this be? Yet, there was the same alley (albeit narrower) where we used to play stickball. (I was always “called” last, unless my cousin Bernie had a say.) There was the corner where I scarred my right knee when I tripped on glass in a small dirt patch. (The scar is still there, and so, I noticed, are some new shards of glass in the same dirt patch.) The driveway, where my dad’s DeSoto was parked. I looked up to the window of the apartment where a friend’s mother offered me a cream cheese sandwich with olive bits. How exotic, I thought. Not far away were the bushes where I was thrown when I was thrashed by some boys after school. My first schoolboy fight. I lost.
There was, of course, the street itself, which we would commandeer for ball games, and its inner sinews where, behind garbage cans and such, we’d duck out of sight for hide-and-seek. I could still hear Mrs. Kroberger calling from her apartment house window for our friend (her son) Buster to return home.
And, finally, there was the Ostrow house, next door to ours.
Mr. Ostrow was an officer in the Fire Department, and, to me, a kind of vague figure, because he spent so many nights away. He also seemed menacing — this despite our family being friendly with his, and his son, Jacky, being my best friend. When I broke a window in Mr. Ostrow’s garage door with an arrow, flung innocently from my bow, I trembled in fear for what would happen when our neighbor returned. Nothing did.
The Ostrow house also housed our family GP, Dr. Landesberg. He also scared the bejesus out of me.
Still, for the most part, this was a place of joy. On summer nights we’d assemble on the front porch, the men drinking beer and we, way past our bedtimes, listening to the youthful happiness of our elders. The bounty of Christmas, again surrounded by family and extended family. Huge feasts prepared by Toribio, who fancied himself a chef extraordinaire. And Lionel trains — the big ones. In the winter, laughter emanated from a sitting room, where adults by night would surround a newfangled black-and-white television to tune in to I Love Lucy. In the front parlor were my dad’s books, a hi-fi and a party-line telephone (GE-8-6524), where we’d receive the rare call when Ralph was travelling in South America on business.
My old elementary school, P.S. 152, housed in a French chateau-like structure on Glenwood Road, had been converted into P.S. 315, the School of the Performing Arts. It was there, when as P.S. 152, that my fourth-grade teacher, Mrs. Eleanor Gochman, arranged that I’d be appointed a AAA monitor when I had been originally passed over. That was important. Very important. My cousin Bernie was AAA, you see. P.S. 152 itself, I discovered, has been relocated nearby to a spiffy new, purpose-built building and dubbed as the School of Science and Technology.
In addition, I detected an eerie silence. I remember constant shouting on our street, the rah-rah of ball playing, open fire hydrants, the roar of traffic, all interspersed with cars honking as we hogged and clogged the street with bikes and scooters. There was none of that now, even though it was well into the afternoon and well after school being let out. I saw no one playing stoop ball or punch ball. No one “digging to China,” an engineering feat Bernie, Jacky and I once undertook in our backyard behind the neighboring Flatbush Church of Redeemer.
No one was trading baseball cards. No one was snapping Pez containers. Off Flatbush Avenue, the streets were nearly deserted.
What had happened to the cacophony of Hit Parade music that used to waft from windows and car radios, or the orphan sound of classical orchestral music that would drift down the street from time to time?
Of course, I knew my family was unlike others. I had been to the city many times. I had visited the Metropolitan Museum of Art and the American Museum of Natural History. My clothes were purchased at Brooks Brothers. My toys came from F.A.O. Schwarz. But I really didn’t know how different until one afternoon when I heard the classical music and I walked by two men who were shaking their heads in disbelief. “Who’s that jerk playing that longhair music?” one man said to the other. Yes, in those days they actually said “longhair.” And, yes, the man they were talking about was my father.
Soon after, we moved. That was more than five decades ago. I now returned to reclaim my inner Brooklyn. Funny, I realized, I had never really lost it.
___________________________________
Carreño is a partner in the Philadelphia-based online bookshop @philabooks|booksellers (www.philabooks.webs.com), a former lecturer at the American University in London, and the author of Lord of Hosts: The Life of Sir Henry ‘Chips’ Channon.
Thursday, 8 March 2012
You Have a Problem With That?
Reclaiming My Inner Brooklyn
By Richard Carreño
[Writers Clearinghouse News Service]
New York
Every city kid, who has moved away, has an 'the old neighbourhood.'
Mine is Flatbush, a now vibrant ribbon of racial and ethnic diversity that cuts through the heartland of New York's most populous borough, Brooklyn. Until recently, it was also place and a bit of personal history that I long ignored, or, maybe, even longed to forget.
Increasingly, over the past few years, all that turned around, and in one of those marvellous contradictions that accompany age, reconnecting with Brooklyn now became a kind of longing. And that recently resulted -- after fifty-five years! -- in my first return to the old hood, centred around a patch just off Flatbush Avenue, East 22nd Street between Newkirk and Foster avenues. A change of heart? Certainly. An old man's sentimentality? Surely.
More important, after years of living elsewhere -- from the Bahamas, France, England, and, now, Philadelphia -- I was finally ready to join the ranks of countless others (many I had come to know in those other countries, as well) who realised that the roots of their identity (however shaped, massaged, and contrived in subsequent years) were born in the hardscrabble of their past. My denial, lodged on the more polished social and educational perches of my later years, where the fast-talking, wise-guy personae of a Jackie Gleason or a William Bendix character was hardly a beau ideal, slipped away as I grappled with my new-found identity as a Brooklynite.
Thanks to Bob Oppedisano, behind the wheel, my old Brooklyn almost immediately came into focus. We circled the imposing victory arch in Grand Army Plaza, which had been my first taste of martial triumphalism. (And, maybe, just maybe, apart from the the Paris version -- and, certainly, those others from Marseille to Philly -- still my favourite). Nearby was the Brooklyn Museum, the place of my first up-close and personal arts exposure, and where, as well, I heard full-orchestrated concert music for the first time. (My, my, to be able the play the kettle drum, I mused then. Never, ever in later years forgetting that lingering, fond notion).
Bob was in his element. He, too, was a Brooklynite, growing up in Carroll Gardens, and he tooled the streets with savvy aplomb. As we approached magnificent Ocean Parkway, the years were flipping back like one of those flash-back calendar scenes in a 40s movie. The gritty, cinder bridle path that once spoke of the elegance of the Parkway, a promenade that extended in its grandeur to Coney Island, was now paved. 'Long gone,' said Bob.
When Bob and I first met in in the 60s (both journalism undergraduates at New York University's Washington Square campus), I was then fashioning myself as a sort of ex-Parisian from Michigan. (This odd contortion of identity was dissembled from the tenuous trope that I had been living with my parents in France before a job transfer required my father to move to the Mid-West). At that point, Brooklyn still had no attraction. (Given my journalism proclivity, why I had never thought to align myself with the legendary historic spirit of Brooklyn Eagle reporter Walt Whitman or then-raging histrionic spirit of Norman Mailer mystifies me).
Flatbush was in sight as he turned onto Foster Avenue, heading east to Ocean Avenue and East 22nd Street.
I was struck that everything was 'smaller.' The distances, not as great. The buildings, not as towering.
Otherwise, the infrastructure was frozen in time.
My time was an almost eleven-year span from my birth in 1946 (at New York Hospital in the 'city,' as Manhattan was known then as well as now) to 1957. During that period, we Carreños lived en famille, in a rambling three-story, barn-like structure (3,110 square feet) at 593 East 22nd Street. It was one of five single-family houses on the east side of the street built just after the turn of the 20th century. Low-lying apartment houses lined the rest of the street.
One man's 'famille' is another man's 'clan.' Ours, by whatever rubric, was overseen by the family patriarch, my paternal grandfather Toribio, a tyrannical overlord of Spanish extraction who had immigrated from Cuba to New York in the 1920s. In sharp contrast to the taciturn Toribio, a tobacco-chewing ex-house painter and building super, was his younger wife, my grandmother, Maria Elena, who remains among the kindest, most forgiving, and compassionate individuals I have ever met.
Then there was the rest of us, and what an admixture! My father, Ralph (born Rafael), the youngest of three brothers. My mother Marion; my sister Roberta, born in 1956; and our dog Zippy, a black-and-white mutt. We inhabited No. 593's first floor. On the second floor, and later in a renovated attic, lived by my Uncle Andy (the middle brother), his wife Eda and my cousin James, known as J.J. I think my cousin Anita was born about then as well. In the attic's rear were my grandparents. Toribio and Elena's eldest son, Charles, or Charlie, was next door in another single-family house with his wife Thelma and my cousins Bernie and Mark. It would not be an over-statement to note that we were a tight family.
In many ways, we also mirrored the ethnic mix of then-Flatbush, a largely working-class neighbourhood that harboured, harmoniously, a ethnic diversity that ranged from Roman Catholic Italians and Irish, to European Jews. (Flatbush Avenue at the time was a corridor of kosher delis, where my fondness for knish and pastrami was born). My mother was Jewish on her father's side. My Aunt Thelma, born in South Africa, was née Feinstein. My Aunt Eda was of Italian heritage, from upstate New York. My grandmother was a devout -- nay, slavish -- Catholic, and it was thanks to her that I received my religious training at Our Lady of Refuge, a stone, neo-Norman-like structure at the corner of Ocean and Foster avenues. (My grandmother converted her bedroom into a kind of chapel/shrine. I seem to remember that a dressing table also doubled as an alter. In other words, it was kind of scary).
Our Lady of Refuge was where I was also baptised, confirmed, celebrated my First Communion, and also where I developed my first anti-clerical animus. The church basement doubled as my Boy Scout meeting place and the venue where resident nuns would berate us if we did not leave room when seated for our guardian angels. Upstairs, in the 'telephone' booths of the sanctuary, the priests would berate us for any hiatus in their official mind-control system. (Woe to he who professed, 'Oh my father, my last confession was three weeks ago....' 'What!.... After the requisite tongue-lashing, being assigned to recite about five Hail Marys was getting off light).
My father was an atheist. So was Toribio and his other sons, as far as I could tell.
Parking nearby, Bob and I found our way to the church's office. 'Sorry, the sanctuary is closed,' we were politely, but firmly, told by the sexton, a middle-aged woman who spoke with a Caribbean lilt.
Like the church congregation, the neighbourhood itself now seemed mainly made up of coloured folk, of Jamaican descent. In other nearby parts of Ocean Avenue were Indian and Pakistani immigrants. As Bob and I later descended onto Flatbush Avenue, we discovered, here in the heart of the neighbourhood, the vibrancy of island culture. This, amid the hub-bub open-air markets, spotless streets, and jostling crowds. Some shops soldiered on with white owners. Others were converted to new uses. The old A&P, which Elena persisted in calling the 'Altantico y Pacifico,' is now the Homeplace Furniture store. (My friends and I used to, in the old A&P, return bottles we collected in alleys and byways in exchange for deposits). An ice-cream parlour at the corner of Newkirk and Flatbush was just a memory.
If anything, and to my astonishment, the neighbourhood seemed stable and approaching a middle-class status. Single-family houses go for almost $500,000.
East 22nd Street was how I remembered it. How could this be? Yet, there was the same alley (albeit narrower) where we used to play stickball. (I was always 'called' last, unless my cousin Bernie had a say). There was the corner where I scarred my right knee when I tripped on glass in a small dirt patch. (The scar is still there, and so, as I noticed, are some new shards of glass in the same dirt patch). The driveway, where my dad's DeSoto (boy, I loved that exterior spotlight) was parked. I looked up to the window of the apartment where a friend's mother offered me a cream cheese sandwich -- with olive bits. How exotic, I thought. Not far away were the bushes where I was thrown when I was thrashed by some boys after school. My first schoolboy fight. I lost.
Wearing short pants. Lending libraries. The BMT over the Brooklyn Bridge.
There was, of course, the street itself, which we would commandeer for ball games, and its inner sinews where, behind garbage cans and such, we'd duck out of sight for hide-and-seek. I could still hear Mrs. Kroberger calling -- more cackling -- from her apartment house window for our friend (her son) Buster to return home.
And, finally, the Ostrow house, next door to ours.
Mr. Ostrow was an officer in the Fire Department, and, to me, apparently because he served many nights away, a kind of vague figure. And menacing. This, despite our family being friendly with his, and his son, Jacky, being my best friend. When I broke a window in Mr.Ostrow's garage door with a arrow, flung innocently from my bow, I trembled in fear for what would happen when our neighbour returned. Nothing did.
The Ostrow house also housed our family GP, Dr. Landesberg. He also scared the bejesus out of me.
Still, for the most part, this was a place of joy. On summer nights we'd assemble on the front porch, the men, drinking beer and we, way past our bed-times, listening to the youthful happiness of our elders. The bounty of Christmas, again surrounded by family and extended family like the Salleses. Huge feasts, prepared by Toribio who fancied himself a chef extraordinaire. And Lionel trains. The big ones. In the winter, laughter emanated from a sitting room, where adults by night would weekly surround a new-fangled black-and-white television to tune to I Love Lucy. In front parlour was my dad's library, a hi-fi, and a party-line telephone (GE8-6524), where we'd receive the rare call when Ralph was travelling in South America on business.
Still, change was equally palpable.
My old elementary school, P.S. 152, housed in a French château-like structure on Glenwood Road, then, as now, akin to a suburban oasis, had been converted into P.S. 315, the School of the Performing Arts. It was there, when as P.S. 152, that my 4th grade teacher, Mrs. Eleanor Gochman, arranged that I'd be appointed a AAA monitor when I had been originally passed over. (That was important. Very important. My cousin Bernie was AAA, you see). P.S. 152 itself, I discovered, has been relocated nearby to a spiffy new, purpose-built building and dubbed as the 'School of Science & Technology.')
In addition, I detected an eerie silence. I remember constant shouting on our street, the rah-rah of ball-playing, opened fire hydrants, the roar of traffic, interspersed with cars honking as we hogged and clogged the street with bikes and scooters. There was none of that now, even though it was well into the afternoon and well after schools being let out. I saw no one playing stoop ball, as I had once long ago. There was no one playing punch ball. No one 'digging to China,' an engineering feat Bernie, Jacky, and and I once undertook in our backyard behind the neighbouring the Flatbush Church of Redeemer. (In the Lutheran church's basement I saw my first magic show).
No one was trading baseball cards. No one was snapping Pez containers. Off Flatbush Avenue, the streets were nearly deserted.
What had happened to the cacophony of Hit Parade music that used to waft from windows and car radios? Even, the orphan sound of classical orchestral music that would drift down the street from time to time?
Of course, I knew my family was unlike others. How exactly, I wasn't sure. Other than I had been to the the city many times. I had visited Metropolitan Museum of Art and the American Museum of Natural History. My clothes were purchased at Brooks Brothers, where the salesmen in the Madison Avenue shop knew my father by name. My toys came from F.A.O. Schwarz, the old one across from the Plaza. Small things. But I really didn't know how different until an afternoon when I heard the classical music and as I walked by two men who were shaking their heads in disbelief. 'Who's that jerk playing that long-hair music?' one man said to other. Yes, in those days they actually said 'long hair.' And, yes, the 'jerk' they were talking about my father.
Soon after, we moved. That was more than five decades years ago. I now returned to reclaim my inner-Brooklyn. Funny, I realised, I had never really lost it.
Post-Script
Not long after my family, including Zippy, moved to Nassau, the brothers sold No. 593, and Uncle Andy, Aunt Eda, J.J., and Anita moved to New Jersey. Toribio and Maria Elena moved with them. Uncle Charlie, Aunt Thelma, Bernie, and Mark moved, first, to an apartment on Ocean Parkway (with the slowest two-person elevator in the history of mankind, I remember) and later to an apartment on 15th Street, near Fifth Avenue, in the city; then to Long Island; and, finally, to Mexico City. After Toribio died in New Jersey, Maria Elena moved to Mexico, though she undertook extended trips to Europe to visit my parents from time to time. She died in Mexico City.
Charlie, Thelma, Ralph, and Marion have since died.
Andy and Eda now live near Atlanta, with their youngest, Andrea. Anita lives in New Jersey. J.J., in Washington state.
Bernie lives in Austin, Texas. Mark, in Los Angeles.
The Ostrow family moved to Florida, where Jacky still lives. (He's a Facebook friend).
I have no idea where Buster might be.
Zippy died in Nassau.
By Richard Carreño
[Writers Clearinghouse News Service]
New York
Every city kid, who has moved away, has an 'the old neighbourhood.'
Mine is Flatbush, a now vibrant ribbon of racial and ethnic diversity that cuts through the heartland of New York's most populous borough, Brooklyn. Until recently, it was also place and a bit of personal history that I long ignored, or, maybe, even longed to forget.
Increasingly, over the past few years, all that turned around, and in one of those marvellous contradictions that accompany age, reconnecting with Brooklyn now became a kind of longing. And that recently resulted -- after fifty-five years! -- in my first return to the old hood, centred around a patch just off Flatbush Avenue, East 22nd Street between Newkirk and Foster avenues. A change of heart? Certainly. An old man's sentimentality? Surely.
More important, after years of living elsewhere -- from the Bahamas, France, England, and, now, Philadelphia -- I was finally ready to join the ranks of countless others (many I had come to know in those other countries, as well) who realised that the roots of their identity (however shaped, massaged, and contrived in subsequent years) were born in the hardscrabble of their past. My denial, lodged on the more polished social and educational perches of my later years, where the fast-talking, wise-guy personae of a Jackie Gleason or a William Bendix character was hardly a beau ideal, slipped away as I grappled with my new-found identity as a Brooklynite.
Thanks to Bob Oppedisano, behind the wheel, my old Brooklyn almost immediately came into focus. We circled the imposing victory arch in Grand Army Plaza, which had been my first taste of martial triumphalism. (And, maybe, just maybe, apart from the the Paris version -- and, certainly, those others from Marseille to Philly -- still my favourite). Nearby was the Brooklyn Museum, the place of my first up-close and personal arts exposure, and where, as well, I heard full-orchestrated concert music for the first time. (My, my, to be able the play the kettle drum, I mused then. Never, ever in later years forgetting that lingering, fond notion).
Bob was in his element. He, too, was a Brooklynite, growing up in Carroll Gardens, and he tooled the streets with savvy aplomb. As we approached magnificent Ocean Parkway, the years were flipping back like one of those flash-back calendar scenes in a 40s movie. The gritty, cinder bridle path that once spoke of the elegance of the Parkway, a promenade that extended in its grandeur to Coney Island, was now paved. 'Long gone,' said Bob.
When Bob and I first met in in the 60s (both journalism undergraduates at New York University's Washington Square campus), I was then fashioning myself as a sort of ex-Parisian from Michigan. (This odd contortion of identity was dissembled from the tenuous trope that I had been living with my parents in France before a job transfer required my father to move to the Mid-West). At that point, Brooklyn still had no attraction. (Given my journalism proclivity, why I had never thought to align myself with the legendary historic spirit of Brooklyn Eagle reporter Walt Whitman or then-raging histrionic spirit of Norman Mailer mystifies me).
Flatbush was in sight as he turned onto Foster Avenue, heading east to Ocean Avenue and East 22nd Street.
I was struck that everything was 'smaller.' The distances, not as great. The buildings, not as towering.
Otherwise, the infrastructure was frozen in time.
One man's 'famille' is another man's 'clan.' Ours, by whatever rubric, was overseen by the family patriarch, my paternal grandfather Toribio, a tyrannical overlord of Spanish extraction who had immigrated from Cuba to New York in the 1920s. In sharp contrast to the taciturn Toribio, a tobacco-chewing ex-house painter and building super, was his younger wife, my grandmother, Maria Elena, who remains among the kindest, most forgiving, and compassionate individuals I have ever met.
Then there was the rest of us, and what an admixture! My father, Ralph (born Rafael), the youngest of three brothers. My mother Marion; my sister Roberta, born in 1956; and our dog Zippy, a black-and-white mutt. We inhabited No. 593's first floor. On the second floor, and later in a renovated attic, lived by my Uncle Andy (the middle brother), his wife Eda and my cousin James, known as J.J. I think my cousin Anita was born about then as well. In the attic's rear were my grandparents. Toribio and Elena's eldest son, Charles, or Charlie, was next door in another single-family house with his wife Thelma and my cousins Bernie and Mark. It would not be an over-statement to note that we were a tight family.
In many ways, we also mirrored the ethnic mix of then-Flatbush, a largely working-class neighbourhood that harboured, harmoniously, a ethnic diversity that ranged from Roman Catholic Italians and Irish, to European Jews. (Flatbush Avenue at the time was a corridor of kosher delis, where my fondness for knish and pastrami was born). My mother was Jewish on her father's side. My Aunt Thelma, born in South Africa, was née Feinstein. My Aunt Eda was of Italian heritage, from upstate New York. My grandmother was a devout -- nay, slavish -- Catholic, and it was thanks to her that I received my religious training at Our Lady of Refuge, a stone, neo-Norman-like structure at the corner of Ocean and Foster avenues. (My grandmother converted her bedroom into a kind of chapel/shrine. I seem to remember that a dressing table also doubled as an alter. In other words, it was kind of scary).
Our Lady of Refuge was where I was also baptised, confirmed, celebrated my First Communion, and also where I developed my first anti-clerical animus. The church basement doubled as my Boy Scout meeting place and the venue where resident nuns would berate us if we did not leave room when seated for our guardian angels. Upstairs, in the 'telephone' booths of the sanctuary, the priests would berate us for any hiatus in their official mind-control system. (Woe to he who professed, 'Oh my father, my last confession was three weeks ago....' 'What!.... After the requisite tongue-lashing, being assigned to recite about five Hail Marys was getting off light).
My father was an atheist. So was Toribio and his other sons, as far as I could tell.
Parking nearby, Bob and I found our way to the church's office. 'Sorry, the sanctuary is closed,' we were politely, but firmly, told by the sexton, a middle-aged woman who spoke with a Caribbean lilt.
Like the church congregation, the neighbourhood itself now seemed mainly made up of coloured folk, of Jamaican descent. In other nearby parts of Ocean Avenue were Indian and Pakistani immigrants. As Bob and I later descended onto Flatbush Avenue, we discovered, here in the heart of the neighbourhood, the vibrancy of island culture. This, amid the hub-bub open-air markets, spotless streets, and jostling crowds. Some shops soldiered on with white owners. Others were converted to new uses. The old A&P, which Elena persisted in calling the 'Altantico y Pacifico,' is now the Homeplace Furniture store. (My friends and I used to, in the old A&P, return bottles we collected in alleys and byways in exchange for deposits). An ice-cream parlour at the corner of Newkirk and Flatbush was just a memory.
If anything, and to my astonishment, the neighbourhood seemed stable and approaching a middle-class status. Single-family houses go for almost $500,000.
East 22nd Street was how I remembered it. How could this be? Yet, there was the same alley (albeit narrower) where we used to play stickball. (I was always 'called' last, unless my cousin Bernie had a say). There was the corner where I scarred my right knee when I tripped on glass in a small dirt patch. (The scar is still there, and so, as I noticed, are some new shards of glass in the same dirt patch). The driveway, where my dad's DeSoto (boy, I loved that exterior spotlight) was parked. I looked up to the window of the apartment where a friend's mother offered me a cream cheese sandwich -- with olive bits. How exotic, I thought. Not far away were the bushes where I was thrown when I was thrashed by some boys after school. My first schoolboy fight. I lost.
Wearing short pants. Lending libraries. The BMT over the Brooklyn Bridge.
There was, of course, the street itself, which we would commandeer for ball games, and its inner sinews where, behind garbage cans and such, we'd duck out of sight for hide-and-seek. I could still hear Mrs. Kroberger calling -- more cackling -- from her apartment house window for our friend (her son) Buster to return home.
And, finally, the Ostrow house, next door to ours.
Mr. Ostrow was an officer in the Fire Department, and, to me, apparently because he served many nights away, a kind of vague figure. And menacing. This, despite our family being friendly with his, and his son, Jacky, being my best friend. When I broke a window in Mr.Ostrow's garage door with a arrow, flung innocently from my bow, I trembled in fear for what would happen when our neighbour returned. Nothing did.
The Ostrow house also housed our family GP, Dr. Landesberg. He also scared the bejesus out of me.
Still, for the most part, this was a place of joy. On summer nights we'd assemble on the front porch, the men, drinking beer and we, way past our bed-times, listening to the youthful happiness of our elders. The bounty of Christmas, again surrounded by family and extended family like the Salleses. Huge feasts, prepared by Toribio who fancied himself a chef extraordinaire. And Lionel trains. The big ones. In the winter, laughter emanated from a sitting room, where adults by night would weekly surround a new-fangled black-and-white television to tune to I Love Lucy. In front parlour was my dad's library, a hi-fi, and a party-line telephone (GE8-6524), where we'd receive the rare call when Ralph was travelling in South America on business.
Still, change was equally palpable.
My old elementary school, P.S. 152, housed in a French château-like structure on Glenwood Road, then, as now, akin to a suburban oasis, had been converted into P.S. 315, the School of the Performing Arts. It was there, when as P.S. 152, that my 4th grade teacher, Mrs. Eleanor Gochman, arranged that I'd be appointed a AAA monitor when I had been originally passed over. (That was important. Very important. My cousin Bernie was AAA, you see). P.S. 152 itself, I discovered, has been relocated nearby to a spiffy new, purpose-built building and dubbed as the 'School of Science & Technology.')
In addition, I detected an eerie silence. I remember constant shouting on our street, the rah-rah of ball-playing, opened fire hydrants, the roar of traffic, interspersed with cars honking as we hogged and clogged the street with bikes and scooters. There was none of that now, even though it was well into the afternoon and well after schools being let out. I saw no one playing stoop ball, as I had once long ago. There was no one playing punch ball. No one 'digging to China,' an engineering feat Bernie, Jacky, and and I once undertook in our backyard behind the neighbouring the Flatbush Church of Redeemer. (In the Lutheran church's basement I saw my first magic show).
No one was trading baseball cards. No one was snapping Pez containers. Off Flatbush Avenue, the streets were nearly deserted.
What had happened to the cacophony of Hit Parade music that used to waft from windows and car radios? Even, the orphan sound of classical orchestral music that would drift down the street from time to time?
Of course, I knew my family was unlike others. How exactly, I wasn't sure. Other than I had been to the the city many times. I had visited Metropolitan Museum of Art and the American Museum of Natural History. My clothes were purchased at Brooks Brothers, where the salesmen in the Madison Avenue shop knew my father by name. My toys came from F.A.O. Schwarz, the old one across from the Plaza. Small things. But I really didn't know how different until an afternoon when I heard the classical music and as I walked by two men who were shaking their heads in disbelief. 'Who's that jerk playing that long-hair music?' one man said to other. Yes, in those days they actually said 'long hair.' And, yes, the 'jerk' they were talking about my father.
Soon after, we moved. That was more than five decades years ago. I now returned to reclaim my inner-Brooklyn. Funny, I realised, I had never really lost it.
Post-Script
Not long after my family, including Zippy, moved to Nassau, the brothers sold No. 593, and Uncle Andy, Aunt Eda, J.J., and Anita moved to New Jersey. Toribio and Maria Elena moved with them. Uncle Charlie, Aunt Thelma, Bernie, and Mark moved, first, to an apartment on Ocean Parkway (with the slowest two-person elevator in the history of mankind, I remember) and later to an apartment on 15th Street, near Fifth Avenue, in the city; then to Long Island; and, finally, to Mexico City. After Toribio died in New Jersey, Maria Elena moved to Mexico, though she undertook extended trips to Europe to visit my parents from time to time. She died in Mexico City.
Charlie, Thelma, Ralph, and Marion have since died.
Andy and Eda now live near Atlanta, with their youngest, Andrea. Anita lives in New Jersey. J.J., in Washington state.
Bernie lives in Austin, Texas. Mark, in Los Angeles.
The Ostrow family moved to Florida, where Jacky still lives. (He's a Facebook friend).
I have no idea where Buster might be.
Zippy died in Nassau.
Wednesday, 21 December 2011
Richard's CV in Pictures
See www.RichardCarreno.webs.com for details
Monday, 13 June 2011
Arroz con Pollo al Cubano
By Marion Carreño
[Writers Clearinghouse News Service]
The following recipe for Cuban-styled chicken with rice was adopted by Marion Carreño from a family recipe passed on by Toribio Carreño.
Ingredients
FIVE cups of uncooked rice
TEN cups of boiled water
TEN pieces of frying chicken (number varies according to pot size)
FOUR bay leaves
ONE large onion (diced)
ONE large green pepper (diced)
ONE small can tomato paste
ONE pressed garlic
FIVE tablespoons of olive oil
In large, oven-proof casserole dish, brown chicken slowly in olive oil at low heat. Turn pieces every ten minutes. Add tomato paste and equal amount of water to create sauce. Continue to cook chicken while adding onion, pepper, pressed garlic, and bay leaves. Cook for another ten to fifteen minutes.
Remove chicken from dish. Add rice and boiled water. Season to taste with salt, pepper, garlic powder, and oregano. Stir this mixture. Add chicken.
Cover dish and cook in oven, set at 300 degrees, until the water is fully absorbed and rice fully cooked. (Rice kernels should be on the dry side).
Ingredients can be proportionately increased or decreased. Also, recipe can be converted to a Spanish-styled paella by adding cooked seafood and shellfish.
Wednesday, 8 December 2010
Don Francisco National Treasure
Without Mobiles and Table Napkins,
Chile Eases into New Age
By Richard Carreño
[Writers Clearinghouse News Service]
Santiago, Chile
Nobel Prize-winning poet Pablo Neruda.
Author Isabel Allende.
Chilean and South American 'liberatador' Bernardo O'Higgins.
President and freedom fighter Salavador Allende.
President and labour champion Eduardo Frei.
Michelle Bachelet, the first democraticaly-elected female president in South America.
That was then.
In the new Chile, South America's and the world's southern-most country (and, yes, pepper-shaped), the biggest name on the national stage today is none other than native-born Mario Luis Kreutzberger. Mario, who?
To world-wide Hispanic television audiences, that would be, of course, mega-personality 'Don Francisco,' the loud-mouth, blow-hard host of El Sabado Gigante, the hugely popular weekly TV variety show that blankets Latin America from its Miami-based production home like a mushy Ricky Martin singing tour.
The show? Think I-Love-Lucy-'Honey,-I'm-Home-humour combined with curvaceous, pulchritudinous young women in tight frocks. And the somewhat tawdry, salacious over-the-hill El Don as leering jefe-in-chief. But Chilean? Who knew?
For me, not until earlier this month when my mountain-climbing son Justin (he was en route to an Argentine peak) and I visted, on a late spring sojourn, this capital city, Santiago de Chile; Valparaiso, the country's historic Pacific port city; and Vina del Mar, a Pacific beach resort easily likened to the best of Cote d'Azur playlands. (Mid-day temperatures hovered in the 80s). I had always pegged the paunchy 70-year-old El Don as Mexican, as Dominican, even as Cuban, at best. But hardly someone who would mirror the European beau ideal tipo who personifies the suave Chilean caballero.
'Chil-lay,' a land that stretches rubber band thin from Peru in the north to Cape Horn in the south, is, as they say, a study in contrasts. And shares an eerie unanimity. Its citizens, united by a semi-official national slogan, 'Chile. Un Solo Corazon' ('Chile. A Single Heart'), practice a kind navel-gazing solipsism that's almost an art form. Never mind the national obsession with fast food. (More on these topics later).
In all, consider this place a modern, 21st-century enigma: A country hamstrung by a curious history of banana republic turbulence and the physic powers of geographic isolation. (By land, the Andes virtually landlock the country).
Mostly, Chile is a nation that the rest of world hardly ever sees -- unless there's an occasional mining disaster (even the recent month-long epic hardly made a dent in international perceptions or understanding); the unfortunate trope of a strong-man dictator overthrowing democracy (the late General Augusto Pinochet and his military thugs deposing President Allende in 1973); or the infrequent recognition of its literary stature by a faraway country such as Sweden (Neruda's laureate in 1971).
Still, Chile is also a place which prides itself on its strong Spanish colonial patrimony and deep European roots. Immigrants, many from Germany, France, and Italy, flowed into the country in the 19th century when Valparaiso was South America's chief Pacific port city. European Jews came later -- in the diaspora fostered by fears of Nazi terror.
Local arts are also flourishing, including opera, theatre, and symphony, all offered at the Teatro Municipal, and all, oddly, short of world-class stature. Polo, as is the case in neighbouring Argentina, also has a strong following.
Among these strengths, the Museo de Bellas Artes is a stunning disappointment. Though housed in an elegant early 20th-century beaux arts building, the museum's collection is thin and badly curated. (A current exhibit of photographs is, in a de facto way, even 'curated' by the German government. The show, by German photographers, has been mounted by Goethe House, a government cultural agency. How lazy is that?)
Santiago, with a head count of about 5 million, a whopping third of Chile's total population, can tout affluent self-confidence, architectural vigour, and historical grandeur. Since its founding in 1541 by Conquistador Pedro de Valdiva, Santiago has grown from a outpost of Spanish conquest to the dynamic high-rise city of today. Meantime, aligned with Buenos Aires, Argentina, it has become the regional transportation hub of this part of the southern hemisphere.
The city's public transportation system, marked by a sprawling bus and subway system, is arguably Latin America's best. Its rubber-wheeled subway, or Metro, is the continent's largest in number of daily passengers (2.4-million) and in the size of its network -- and it rivals any similar system worldwide.
Getting around is equally safe, efficient, and cheap (an adult one-way Metro fare is about $1), and its 101 stations easily access top spots for visitors (the Moneda, the presidential palace where Salvadore Allende shot himself rather than surrender to Pinochet); the Plaza de Armas, the chief urban square; Santa Lucia, spectacular urban gardens overlooking the city; and the Biblioteca National which, unlike the Museo de Bellas Artes, gets it right.
Innovation is also a hallmark. Metro cars are not self-contained tubes, divided by sliding doors connecting car to car. Rather than this industry standard, the norm in North America and Europe, carriages are open-ended through the total length of the train length, on average about 10 cars. However shameless, even Metro's advertising has flare: Some entire trains are shrink-wrapped. The train I caught on several occasions was the Coca-Cola special. Even all interior ads were for Coke.
Stations, many decorated with art, are spotless.
Not surprising, in that all public spaces in Santiago are groomed, pruned, and immaculate. The city even deploys street cleaners whose duties include chipping away gum embedded in pavements.
For Americans, life in Chile provides an added bonus: Chile is one of the few countries where the American greenback is strong, about 500 pesos to the dollar. The result, even for a skint writer like myself, is that, in Chile, I'm a 'millionaire.'
Yet, despite all of Chile's virtues, there is also something sadly evocative about a national character that embraces the buffoonish Don Francisco, a caricature in himself, as a national model. Francisco is a pervasive advertising fixture, barking everything from a mobile phone company, to a home products chain, to the maker of feminine products. Most telling is Don Francisco's role as the host of the nation's annual televised telethon on behalf of handicapped children. His face is plastered on posters throughout the country, ostensibly promoting the 'teleton.'
No doubt, Francisco's role -- something like that of Jerry Lewis and his Labor Day telethon in the United States -- is a selfless act. But there's also a kind of huckerism associated with the teleton. Even an unseemly festive air surrounding it, as was the case for 48 hours earlier this month, when Francisco and other personalities tugged at the national heartstrings as they sang, danced, and pleaded for donations. Even President Sebastian Pinera, a US dollar billionaire, showed up. He gave a speech. "If not now, when? If not us, who?' (For real. He said that).
The teleton is almost a national obsession, underscoring what I and others I spoke with agreed is a kind of inwardness shared by the nation at large. For two days, Christmas was trumped. A pending strike by Metro workers was thrust off the front pages. Never mind international news. Other than for sports, overseas events get little coverage. CNN is Chile based. Fox is Chile based. During teleton days, both networks were all Don Francisco all the time.
'Chileans are very self-centred,' an Australian educator, in Chile for almost two years, told me. 'To them, Chile isn't part of South America. There's Chile and there's South America.'
In small measures and in significant ways, Chileans -- despite their seeming refinement -- seem to be a people myopic to a larger world. Though diverse in ethnic and racial makeup, hardly any native -- even in the capital of Santiago and in a tourist town like Vina del Mar -- speaks English. My hotel concierge was hard-pressed to do 'Good Morning,' much less offer directions in any comprehensible form of English. Picture Indiana with palm trees.
As remarkable, during my week-long stay, I spotted only about a half-dozen native English-speakers. Maybe. Though I had many conversations and interviews, I had only one in English, with that Australian educator, who I had simply bumped into at a Starbucks near my hotel.
Worse, newspapers and magazines on newsstands are all Chilean.
By now it's a cliche that everyone reads news on the Internet. Yet, there's something unsettling, especially for a newspaper reader of my -- er, older -- generation, about being in a huge capital city (in many ways so otherwise cosmopolitan) with the public reading habits of Akron, Ohio.
Until Santiago, I'd yet to be any Western capital where the International Herald-Tribune wasn't on offer. Moreover, this homey journalistic orientation didn't just exclude Anglophone publications. As far as I could tell, even Argentine and Spanish periodicals don't see daylight.
What this means for political discussion and rivalry in the marketplace of ideas is less than sanguine. I found only one political satire weekly, The Clinic, on newsstands. (It was named sardonically, in English, after The Clinic, a English rehab institution which was Pinochet's home away from home while the British government diddled with his deportation status).
In fact, 20 years on since the rebirth of democracy here, there still seems to be low-grade tolerance of, if not for the overt apparatus of an authoritarian state, at least for some of its trappings. The brown-uniformed Carabineros of Chile, the national police force that had been a bedrock element in the Pinochet junta, still provide an uncomfortable -- even a menacing --presence, something akin to that intangible, creepy feeling that Franco's Guardia Civil used to exude in Spain.
It's not surprising, given the country's singularly mono-linguistic emphasis, that governmental and commercial efforts to accommodate a polyglot tourism base range from slim to none. The main tourism office is located in upmarket eastern barrio, Providencia. (Something like Beverly Hills, with pedestrians). No tourist materials are in sight, however. One requests maps, etc. A satellite, yes, satellite, office, located downtown at the Plaza de Armas, doesn't even stock the maps. A tour I wanted to join had been canceled.
Moreover, it took almost three days of poking about before I found a shop offering time-honoured tourist gear. (A 'I Love Chile' t-shirt and the like).
It took me less than a day to realise that something was horribly wrong when I waded through the mid-day throngs around the Plaza de Armas. Young women were actually talking to each other. Businessmen actually seemed to go to lunch appointments to converse. In other words, also welcome to a world where the mobile phone still has not conquered all.
I never did find anything approaching a decent shopping street, a Fifth Avenue or Walnut Street, say, anywhere in centre city. (There is a Brooks Brothers branch in a mall in Las Condes, a swank neighbourhood of gated communities and villas on the city's eastern outskirts).
What's even more remarkable in a city of 5 million - and a Latin one, as well -- is that restaurants are hard to find. Proper restaurants. With tablecloths. Offering three-course meals. Virtually all restos are fast-food joints, ranging from McDonalds, to home-grown variants like The Coffee Factory, to fast-food dives that just so happen to have waiters. (Piccolo Italia was one of these).
Highlighting Chilean dining is another peculiarity -- no linen napkins. All restaurants -- that is, all restaurants -- provide only paper servilletas, the size of cocktail napkins. If you're like me, figure on about 10 of these for a typical meal. Or, as some foreigners are said to do, bring your own 'linen' napkin when eating out.
I can disspell the truth of one Chilean habit, the country's alledged addiction to instant coffee, particularly the Nescafe brand. I read this 'fact,' in a reputable, widely-circulated guide, while inflight from Panama, and I was instantly levitated from my stupor. 'When ordering coffee,' we first-time visitors were told, 'order the real thing by emphasising, "cafe, cafe" Otherwise, you'll probably be served wind up with Nescafe.'
True, I spent most of my coffee-drinking time at my nearby Starbucks (free WiFi). But even on my excursions to local cafeterias, mostly around the Plaza de Armas, I got the real deal. The exception: My four-star hotel, where my continental breakfast delivered by room service each morning featured Nescafe. (By the way, the hotel's WiFi cost a price-gouging $17 per day. Whither, Starbucks).
I finally figured it out. The Chileans don't really care. They didn't care whether I was a happy camper, or not. And they don't really care if you or any other norte americano tourist eventually shows up.
I should've known that as soon as I touched down at Santiago's Arturo Merino Benitz International Airport. Even before passport control and customs, I was steered to darkened area off to little-used area where I had to pay the tax, a $142 entrance fee. Cash, in dollars, would do nicely, I was told.
Does everyone pay? Not exactly. I could see why the Albanians might be targeted. It was a harmless gesture; they wouldn't be chartering planeloads anytime soon. Americans? Of course. Goes without saying. But Canadians! What in God's name had the Canadians done to bring down the wrath of the Chilean people?
Chile Eases into New Age
By Richard Carreño
[Writers Clearinghouse News Service]
Santiago, Chile
Nobel Prize-winning poet Pablo Neruda.
Author Isabel Allende.
Chilean and South American 'liberatador' Bernardo O'Higgins.
President and freedom fighter Salavador Allende.
President and labour champion Eduardo Frei.
Michelle Bachelet, the first democraticaly-elected female president in South America.
That was then.
In the new Chile, South America's and the world's southern-most country (and, yes, pepper-shaped), the biggest name on the national stage today is none other than native-born Mario Luis Kreutzberger. Mario, who?
To world-wide Hispanic television audiences, that would be, of course, mega-personality 'Don Francisco,' the loud-mouth, blow-hard host of El Sabado Gigante, the hugely popular weekly TV variety show that blankets Latin America from its Miami-based production home like a mushy Ricky Martin singing tour.
The show? Think I-Love-Lucy-'Honey,-I'm-Home-humour combined with curvaceous, pulchritudinous young women in tight frocks. And the somewhat tawdry, salacious over-the-hill El Don as leering jefe-in-chief. But Chilean? Who knew?
For me, not until earlier this month when my mountain-climbing son Justin (he was en route to an Argentine peak) and I visted, on a late spring sojourn, this capital city, Santiago de Chile; Valparaiso, the country's historic Pacific port city; and Vina del Mar, a Pacific beach resort easily likened to the best of Cote d'Azur playlands. (Mid-day temperatures hovered in the 80s). I had always pegged the paunchy 70-year-old El Don as Mexican, as Dominican, even as Cuban, at best. But hardly someone who would mirror the European beau ideal tipo who personifies the suave Chilean caballero.
'Chil-lay,' a land that stretches rubber band thin from Peru in the north to Cape Horn in the south, is, as they say, a study in contrasts. And shares an eerie unanimity. Its citizens, united by a semi-official national slogan, 'Chile. Un Solo Corazon' ('Chile. A Single Heart'), practice a kind navel-gazing solipsism that's almost an art form. Never mind the national obsession with fast food. (More on these topics later).
In all, consider this place a modern, 21st-century enigma: A country hamstrung by a curious history of banana republic turbulence and the physic powers of geographic isolation. (By land, the Andes virtually landlock the country).
Mostly, Chile is a nation that the rest of world hardly ever sees -- unless there's an occasional mining disaster (even the recent month-long epic hardly made a dent in international perceptions or understanding); the unfortunate trope of a strong-man dictator overthrowing democracy (the late General Augusto Pinochet and his military thugs deposing President Allende in 1973); or the infrequent recognition of its literary stature by a faraway country such as Sweden (Neruda's laureate in 1971).
Still, Chile is also a place which prides itself on its strong Spanish colonial patrimony and deep European roots. Immigrants, many from Germany, France, and Italy, flowed into the country in the 19th century when Valparaiso was South America's chief Pacific port city. European Jews came later -- in the diaspora fostered by fears of Nazi terror.
Local arts are also flourishing, including opera, theatre, and symphony, all offered at the Teatro Municipal, and all, oddly, short of world-class stature. Polo, as is the case in neighbouring Argentina, also has a strong following.
Among these strengths, the Museo de Bellas Artes is a stunning disappointment. Though housed in an elegant early 20th-century beaux arts building, the museum's collection is thin and badly curated. (A current exhibit of photographs is, in a de facto way, even 'curated' by the German government. The show, by German photographers, has been mounted by Goethe House, a government cultural agency. How lazy is that?)
Santiago, with a head count of about 5 million, a whopping third of Chile's total population, can tout affluent self-confidence, architectural vigour, and historical grandeur. Since its founding in 1541 by Conquistador Pedro de Valdiva, Santiago has grown from a outpost of Spanish conquest to the dynamic high-rise city of today. Meantime, aligned with Buenos Aires, Argentina, it has become the regional transportation hub of this part of the southern hemisphere.
The city's public transportation system, marked by a sprawling bus and subway system, is arguably Latin America's best. Its rubber-wheeled subway, or Metro, is the continent's largest in number of daily passengers (2.4-million) and in the size of its network -- and it rivals any similar system worldwide.
Getting around is equally safe, efficient, and cheap (an adult one-way Metro fare is about $1), and its 101 stations easily access top spots for visitors (the Moneda, the presidential palace where Salvadore Allende shot himself rather than surrender to Pinochet); the Plaza de Armas, the chief urban square; Santa Lucia, spectacular urban gardens overlooking the city; and the Biblioteca National which, unlike the Museo de Bellas Artes, gets it right.
Innovation is also a hallmark. Metro cars are not self-contained tubes, divided by sliding doors connecting car to car. Rather than this industry standard, the norm in North America and Europe, carriages are open-ended through the total length of the train length, on average about 10 cars. However shameless, even Metro's advertising has flare: Some entire trains are shrink-wrapped. The train I caught on several occasions was the Coca-Cola special. Even all interior ads were for Coke.
Stations, many decorated with art, are spotless.
Not surprising, in that all public spaces in Santiago are groomed, pruned, and immaculate. The city even deploys street cleaners whose duties include chipping away gum embedded in pavements.
For Americans, life in Chile provides an added bonus: Chile is one of the few countries where the American greenback is strong, about 500 pesos to the dollar. The result, even for a skint writer like myself, is that, in Chile, I'm a 'millionaire.'
Yet, despite all of Chile's virtues, there is also something sadly evocative about a national character that embraces the buffoonish Don Francisco, a caricature in himself, as a national model. Francisco is a pervasive advertising fixture, barking everything from a mobile phone company, to a home products chain, to the maker of feminine products. Most telling is Don Francisco's role as the host of the nation's annual televised telethon on behalf of handicapped children. His face is plastered on posters throughout the country, ostensibly promoting the 'teleton.'
No doubt, Francisco's role -- something like that of Jerry Lewis and his Labor Day telethon in the United States -- is a selfless act. But there's also a kind of huckerism associated with the teleton. Even an unseemly festive air surrounding it, as was the case for 48 hours earlier this month, when Francisco and other personalities tugged at the national heartstrings as they sang, danced, and pleaded for donations. Even President Sebastian Pinera, a US dollar billionaire, showed up. He gave a speech. "If not now, when? If not us, who?' (For real. He said that).
The teleton is almost a national obsession, underscoring what I and others I spoke with agreed is a kind of inwardness shared by the nation at large. For two days, Christmas was trumped. A pending strike by Metro workers was thrust off the front pages. Never mind international news. Other than for sports, overseas events get little coverage. CNN is Chile based. Fox is Chile based. During teleton days, both networks were all Don Francisco all the time.
'Chileans are very self-centred,' an Australian educator, in Chile for almost two years, told me. 'To them, Chile isn't part of South America. There's Chile and there's South America.'
In small measures and in significant ways, Chileans -- despite their seeming refinement -- seem to be a people myopic to a larger world. Though diverse in ethnic and racial makeup, hardly any native -- even in the capital of Santiago and in a tourist town like Vina del Mar -- speaks English. My hotel concierge was hard-pressed to do 'Good Morning,' much less offer directions in any comprehensible form of English. Picture Indiana with palm trees.
As remarkable, during my week-long stay, I spotted only about a half-dozen native English-speakers. Maybe. Though I had many conversations and interviews, I had only one in English, with that Australian educator, who I had simply bumped into at a Starbucks near my hotel.
Worse, newspapers and magazines on newsstands are all Chilean.
By now it's a cliche that everyone reads news on the Internet. Yet, there's something unsettling, especially for a newspaper reader of my -- er, older -- generation, about being in a huge capital city (in many ways so otherwise cosmopolitan) with the public reading habits of Akron, Ohio.
Until Santiago, I'd yet to be any Western capital where the International Herald-Tribune wasn't on offer. Moreover, this homey journalistic orientation didn't just exclude Anglophone publications. As far as I could tell, even Argentine and Spanish periodicals don't see daylight.
What this means for political discussion and rivalry in the marketplace of ideas is less than sanguine. I found only one political satire weekly, The Clinic, on newsstands. (It was named sardonically, in English, after The Clinic, a English rehab institution which was Pinochet's home away from home while the British government diddled with his deportation status).
In fact, 20 years on since the rebirth of democracy here, there still seems to be low-grade tolerance of, if not for the overt apparatus of an authoritarian state, at least for some of its trappings. The brown-uniformed Carabineros of Chile, the national police force that had been a bedrock element in the Pinochet junta, still provide an uncomfortable -- even a menacing --presence, something akin to that intangible, creepy feeling that Franco's Guardia Civil used to exude in Spain.
It's not surprising, given the country's singularly mono-linguistic emphasis, that governmental and commercial efforts to accommodate a polyglot tourism base range from slim to none. The main tourism office is located in upmarket eastern barrio, Providencia. (Something like Beverly Hills, with pedestrians). No tourist materials are in sight, however. One requests maps, etc. A satellite, yes, satellite, office, located downtown at the Plaza de Armas, doesn't even stock the maps. A tour I wanted to join had been canceled.
Moreover, it took almost three days of poking about before I found a shop offering time-honoured tourist gear. (A 'I Love Chile' t-shirt and the like).
It took me less than a day to realise that something was horribly wrong when I waded through the mid-day throngs around the Plaza de Armas. Young women were actually talking to each other. Businessmen actually seemed to go to lunch appointments to converse. In other words, also welcome to a world where the mobile phone still has not conquered all.
I never did find anything approaching a decent shopping street, a Fifth Avenue or Walnut Street, say, anywhere in centre city. (There is a Brooks Brothers branch in a mall in Las Condes, a swank neighbourhood of gated communities and villas on the city's eastern outskirts).
What's even more remarkable in a city of 5 million - and a Latin one, as well -- is that restaurants are hard to find. Proper restaurants. With tablecloths. Offering three-course meals. Virtually all restos are fast-food joints, ranging from McDonalds, to home-grown variants like The Coffee Factory, to fast-food dives that just so happen to have waiters. (Piccolo Italia was one of these).
Highlighting Chilean dining is another peculiarity -- no linen napkins. All restaurants -- that is, all restaurants -- provide only paper servilletas, the size of cocktail napkins. If you're like me, figure on about 10 of these for a typical meal. Or, as some foreigners are said to do, bring your own 'linen' napkin when eating out.
I can disspell the truth of one Chilean habit, the country's alledged addiction to instant coffee, particularly the Nescafe brand. I read this 'fact,' in a reputable, widely-circulated guide, while inflight from Panama, and I was instantly levitated from my stupor. 'When ordering coffee,' we first-time visitors were told, 'order the real thing by emphasising, "cafe, cafe" Otherwise, you'll probably be served wind up with Nescafe.'
True, I spent most of my coffee-drinking time at my nearby Starbucks (free WiFi). But even on my excursions to local cafeterias, mostly around the Plaza de Armas, I got the real deal. The exception: My four-star hotel, where my continental breakfast delivered by room service each morning featured Nescafe. (By the way, the hotel's WiFi cost a price-gouging $17 per day. Whither, Starbucks).
I finally figured it out. The Chileans don't really care. They didn't care whether I was a happy camper, or not. And they don't really care if you or any other norte americano tourist eventually shows up.
I should've known that as soon as I touched down at Santiago's Arturo Merino Benitz International Airport. Even before passport control and customs, I was steered to darkened area off to little-used area where I had to pay the tax, a $142 entrance fee. Cash, in dollars, would do nicely, I was told.
Does everyone pay? Not exactly. I could see why the Albanians might be targeted. It was a harmless gesture; they wouldn't be chartering planeloads anytime soon. Americans? Of course. Goes without saying. But Canadians! What in God's name had the Canadians done to bring down the wrath of the Chilean people?
Tuesday, 20 April 2010
A Freebie
Free Day at the
Philadelphia Museum of Art
By Richard Carreno
Junto Staff Writer
Free admission to the Philadelphia Museum of Art.
But don't get your hopes up. It's only for a day.
Despite its wildly unpopular its admission-charge policy, the PMA is conceding one free day, Tuesday, 18 May, as part of the International Museum Day, joining scores of other museums in the United States, Canada, and Mexico in opening their doors -- at no charge.
The programme is sponsored by the Association of Art Directors (AAMD).
'We believe that art museums are crucial to our understanding of world history and cultures, and provide a unique and irreplaceable public service,' said a AAMD spokesman.
For a day, at least, that 'public service' will be free.
Interestingly, I just checked the PMA website, and no mention of its free day is indicated.
Other regional museums participating in thr AAMD free day programme are the Pennsylvania Academy of Fine Arts; the Princeton University Art Museum; and the Frick Collection, the Metropolitan Museum of Art, and the Whitney Museum of American Art, in New York; and the Phillips Collection in Washington.
The Philadelphia Junto depends exclusively on reader support.Please help us continue by contributing directly via PayPal, or by contributing editorial content via Writers.Clearinghouse@comcast.net. Empowered by Writers.Clearinghouse | S.P.Q.R.
Philadelphia Museum of Art
By Richard Carreno
Junto Staff Writer
Free admission to the Philadelphia Museum of Art.
But don't get your hopes up. It's only for a day.
Despite its wildly unpopular its admission-charge policy, the PMA is conceding one free day, Tuesday, 18 May, as part of the International Museum Day, joining scores of other museums in the United States, Canada, and Mexico in opening their doors -- at no charge.
The programme is sponsored by the Association of Art Directors (AAMD).
'We believe that art museums are crucial to our understanding of world history and cultures, and provide a unique and irreplaceable public service,' said a AAMD spokesman.
For a day, at least, that 'public service' will be free.
Interestingly, I just checked the PMA website, and no mention of its free day is indicated.
Other regional museums participating in thr AAMD free day programme are the Pennsylvania Academy of Fine Arts; the Princeton University Art Museum; and the Frick Collection, the Metropolitan Museum of Art, and the Whitney Museum of American Art, in New York; and the Phillips Collection in Washington.
The Philadelphia Junto depends exclusively on reader support.Please help us continue by contributing directly via PayPal, or by contributing editorial content via Writers.Clearinghouse@comcast.net. Empowered by Writers.Clearinghouse | S.P.Q.R.
Wednesday, 6 January 2010
Tuesday, 8 December 2009
Security
New Ready LA Website Aims To Prepare Angelinos For Diverse Threats By Making "Unfriendly Subject More Friendly;" City's Social Media Effort Tries To "Fish Where The Fish Are" I recently had the opportunity to speak with James Featherstone, the General Manager of Los Angeles' Emergency Management Department, about the City's citizen outreach efforts, particularly the relaunch of the Department's website Ready LA.When it comes to public preparedness, Featherstone has a bad news/good news situation. On the negative side, the Department must prepare and respond to the greatest range of threats of any major city, including wildfires, earthquakes, terrorism, and pandemics. Featherstone notes that Los Angeles faces 13 out of the 16 types of "Major Emergency" as defined in the Stafford Act. (Adding to his challenge is the sheer size of the area as well as the diversity of cultures and languages spoken.) On the positive, all these potentialities may make it a little easier for him to convince residents that preparedness and planning may be worth their while. When you go to the Ready LA website, you are immediately struck by the rotating scenic photos of City of Angels landmarks. including the Frank Gehry-designed Walt Disney Concert Hall, Chinatown Gateway, Santa Monica Pier and Griffith Observatory. The aim is to draw people into the website by making the "unfriendly subject more friendly." I think that approach — emergency management department with a little touch of convention and tourism bureau — may be smart, making the subject of preparedness seem more like a quotidian part of living in a big city, not something that is particularly extraordinary. The website's introduction tries to set the tone:
The new website is only one of the communications distribution methods, including its Facebook and Twitter pages, that the Department is using to complement traditional media outreach. There is also Spanish language site (and plans to have versions in Chinese, Japanese, Korean, Vietnamese and Tagalog.) In 2010, the City will developing a new preparedness website for the disabled to meet the needs of the hearing and visually impaired, according to Mark J. Carreno of Concrete Advertising which oversaw the ReadyLA update. Featherstone says that it is crucial for emergency managers to offer many approaches and choices to reflect the expanding media environment and the diverse makeup of the population. As he explains, "we have to fish where the fish are." These icons link to social bookmarking sites where readers can share and discover new web pages. |
Tuesday, 29 September 2009
Tuesday, 30 June 2009
Thursday, 14 May 2009
My Outré Life

Philadelphia4 April 2002
Parsons Dance Company at the Annenberg Center at Penn. Going to Downingtown tomorrow. Of course, to see Mom. Also holding a yard sale chez Roberta. Attempting miniminalism.
Philadelphia8 April 2002
Mom in good humour. Actually, delightful. ADC says she loves loves Mom's Apple pattern Spode. Mom happy. ADC over the moon.
Philadelphia16 April 2002
Memorial Mass for Queen Mother at Christ Church 14 April (Sunday).
Parsons Dance Company at the Annenberg Center at Penn. Going to Downingtown tomorrow. Of course, to see Mom. Also holding a yard sale chez Roberta. Attempting miniminalism.
Philadelphia8 April 2002
Mom in good humour. Actually, delightful. ADC says she loves loves Mom's Apple pattern Spode. Mom happy. ADC over the moon.
Philadelphia16 April 2002
Memorial Mass for Queen Mother at Christ Church 14 April (Sunday).
Junto powered by Writers Clearinghouse SPQR
Thursday, 30 October 2008
A Visit With Mr Wedgwood
The Author, left, and Wedgwood
LORD OF CHINA
By Richard Carreño
As a hostess, my late mother was china agnostic. Spode. Minton. Wedgwood. Whatever. But not as for decorative pottery. Her cuppa was Wedgwood's Jasperware, the well-known bas-relief pattern in robin's-egg-blue. She particularly favored scenes by George Stubbs. She fancied horses.
There's no longer a Mr. Spode of Spode china fame (the last Josiah Spode associated with the company died in 1893). But there is a Mr. Wedgwood, and when I learned that he was in town, bending the ear of anyone who wanted to learn about the 249-year-old-year-old company founded by his great-X8-grandfather Josiah Wedgwood in 1759, I decided to have a word with him. Also, to have him autograph my mother's Jaspar, which I now own. (I got the Spode and Minton, too).
'Ah, a Stubbs!' he declared, obliging me with signature on one of my pieces.
Actually, 'Mr. Wedgwood' is the Rt. Hon. Piers Anthony Weymouth Wedgwood of Barlaston (just 'Piers' to you and me). There's another thing about Wedgwood, a fit, 54-year-old six-footer who sports what readers of the Sunday comics might recognize as a Prince Valiant hairdo: he actually lives in Philadelphia. More precisely, in Chestnut Hill.
Why Philadelphia? It has nothing to do with business, he told me recently over cocktails at a Center City drinking spot. But rather his wife, the former Jean Quinn, a Philadelphian who he met in Chicago in the 1980's. Later, after many years in London, Philly finally won out as their hometown.
'Philadelphia has been very good to me,' he said, a winking nod to Lady Wedgwood. 'She's the woman of my dreams.'
Actually, Wedgwood has some other connections to the city, as well, and spins, yes, another Ben Franklin anecdote. Turns out the Franklin met Josiah Wedgwood (1730-1795), the company's founder, on one of Ben's sojourns in London. Wedgwood also remembered that his grandfather, Josiah Wedgwood, the umpteenth, a Labour MP, visited here in 1939 to warn Americans about the 'gathering storm' of war in Europe. Three years later, 1942, Winston Churchill bestowed Wedgwood with a peerage, elevating him to the House of Lords. (Thanks to primogeniture, that's how Piers Wedgwood of Philadelphia became a Lord).
Wedgwood told me that what most excites him now is whether current excavations at the President's House site at Independence Mall will turn up 'shards' of Wedgwood china. Company history cites Martha Washington as an early customer.
Today, from his Philadelphia perch, Wedgwood travels the world as a spokesman and good-will ambassador for Waterford Wedgwood plc. (The Irish crystal maker bought Wedgwood china in 1986).
It wasn't always meant, however, for Wedgwood to be associated with his eponymous company, now, along with Spode, among the world's most prestigious ceramic firms. (N.B. The Royal Warrants from the Queen that both Wedgwood and Spode proudly flourish).
At first, Wedgwood wanted to be a soldier.
After an early youth in South Africa (he was born there 1954), the youngish Wedgwood wound up in London in the 1970's. He did something or other (a job, that this) at the now-defunct Playboy Club; sold sets of Encylopediae Britannica in South London (something like South Philly, for wont of a better parallel universe); and then moved on, with a buddy, to knock about European capitals.
After this and that, he did, finally, find his calling as a military man, enrolling in 1972 at the Royal Military Academy at Sandhurst and winding up in the Royal Scots Regiment. Sandhurst's the same place where Prince William cut his eye-teeth, and so, at the end of the day, one gets the idea that Wedgwood got a pretty posh upbringing, as well.
In 1980, after tours in Northern Ireland, Cyprus, Berlin, and in Edinburgh, where he chummed around with the Queen and her sister, Margaret, as a sort of an aide-de-camp (at Holyrood Castle and Balmoral Castle, both in Scotland), he resigned his commission and became a civilian.
Well, not exactly a typical civilian, that is.
In the 1970's, Wedgwood's father, Hugh had died, and Wedgwood, then Lord Wedgwood (that primogeniture thing kicking in), had already decided to turn to politics by taking his seat in the House of Lords. By the 1980's, Wedgwood told me, he was more earnest about his work, defined by defense and trade matters. (The Lords, incidentally, is like U.S. Senate, but without any power. There is a per diem, however).
Wedgwood's excursion into politics came to an abrupt end in 1999, thanks to Tony Blair, Britain's PM at the time. 'New Labour,' as Blair's cohort was called, wanted to cull the Lords, especially of its Conservative Party members. Unlike his grandfather, Wedgwood was a Tory, and he was on Blair's hit list. By 2000, Wedgwood was out of his political job.
But it was all good. In April 2000, Wedgwood segued into being executive director and 'international ambassador' of his namesake firm, at a new salary, according to BusinessWeek.com, of about 126,000 euros. Wedgwood was already helping out the company in a lesser position, 'cutting my teeth in North America in perpetual motion,' as he explained it.
'Perpetual motion' seems pretty much still part of his life. At the time of our conversation, Wedgwood was preparing for one of his regular trips to Australia.
He was also preparing for the 250th anniversary of the company's creation, to be celebrated next year.
This, at a time, he freely admits, when Wedgwood faces 'immense challenges.' Faced with the cheaper Asian imports (Hello! Pottery Barn), a tanking worldwide economy, and greater informality in home entertaining, promoting the upmarket Wedgwood brand has had its difficulties.
Ultimately, Wedgwood is optimistic. 'We keep dancing until the music stops.'
(Richard Carreño is an editor of Junto.blogspot.com. Another version of this article appeared in the Weekly Press).
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