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Showing posts with label Botto Mario. Show all posts
Showing posts with label Botto Mario. Show all posts

Thursday, 30 July 2015

COFFEE MONEY


By RICHARD CARREÑO
[WC News Service]
Le Corbusier (1887-1965), the professional name of the Swiss-French architect, who was born Charles-Edouard Jeanneret, is arguably Switzerland's most famous architect, and, along with Alberto Giacometti, the Swiss-Italian sculptor, one of that country's marque-brand artists.
 
Interestingly, Le Corbusier's profile is not as high in the United States, as in other parts of the world. His only building in North America is the Carpenter Center for the Visual Arts, built in 1963 at Harvard. It's not very inspiring -- just a layered mass of rough-hewn, poured concrete that's equal parts Brutalism and boring.
 
There might be another reason for the architect's lacklustre popularity on this side of the Atlantic, namely Le Corbusier's little-known penchant as an admirer of the Soviet social order (one of his grandest commissions was in Russia during the 1930s) and fascist states (Mussolini's Italy and Marshal Pétain's Vichy). Also there's simply the work -- a non-humanist approach in aesthetics and scale. Like I said, mostly Brutalism and boring.

Saturday, 9 August 2014

Bechtler Museum of Modern Art


Photo: WritersClearinghouse News Service
Mario Botta: Architecture and Memory
Mario Botto

Location: Fourth-floor gallery On View: January 31, 2014 - September 1, 2014 (extended)                

Charlotte, North Carolina
Mario Botta: Architecture and Memory is an exhibition spanning the 50-year career of internationally acclaimed architect Mario Botta, the designer of the Bechtler Museum of Modern Art building and one of the century's most fundamental contributors to postmodern architecture. Featured are sketches, original wood models and photographs exemplifying Botta’s use of geometric shapes that juxtapose lightness and weight. The run of the exhibition has been extended through September 1, 2014.