THE PHILADELPHIA JUNTO.: Tourism

Saturday, 19 August 2006

Tourism

Jacques Cartier, left, discover of Québec and founder of Paris jewelry firm

Québec Discovers Cartier

19 August 2006
Quebec
To: Le Soleil

To the Editor:--
The announced closing of La Corriveau may or may not be eventually attributed to a tourism slowdown. Time -- and statistics -- will tell. A strong US dollar will be the usual suspect. But with due respect to La Corriveau -- its closing will be no great loss in the larger scheme of things, especially in a city that's already wall--to-wall with gift shops.

Quebec needs to play to her strengths. Fine dining, its historical patrimony, and its cultural marvels. (The Musee National Des Beaux-Arts du Quebec is a true Canadian gem). But the city also can't become complascent.

As anyone in the hospitality industry knows, on-site needs of travellers are always changing. Unfortunately, Quebec hasn't always kept up with industry trends. Greater variety and access to quality shopping, such as that in the lower city, must be expanded.

At a time when travellers are seeking more up-market amenities, the city can do more to meet this need. Quebec needs to focus not only on attracting more tourists, but on attracting more affluent visitors. In that well-heeled tourist market, the name Cartier has a double meaning. And the shifting value of the US dollar -- a penny here, a penny there -- has less.

-- Richard Carreño

BROADSTREETREVIEW.COM INDEX

Articles by Richard Carreño
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Matisse and Barnes: A tale of two museums October 04 2011 Henri Matisse was one of the three great revolutionary artists (with Picaso and Duchamp) of the early 20th Century; Albert Barnes was a brilliant collector of revolutionary art. They made a great team until Barnes’s insufferable personality drove Matisse away, with consequences that still reverberate today.

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Antiquity, looters and the Penn Museum November 10 2009 Who are the best stewards of ancient artifacts— enlightened Western curators whose museums stole the loot long ago, or dictators of Third World lands where the treasures were originally found? James Cuno of the Chicago Art Institute (who believes the former) confronts the Penn Museum (which favors the latter). "Iraq’s Ancient Past: Rediscovering Ur’s Royal Cemetery." Through Spring 2010 at University of Pennsylvania Museum, 3260 South St. (215) 898-4000 or www.penn.museum/sites/iraq.

‘American Stories' at the Met in New York October 18 2009 “American Stories,” currently at the Met in New York, reveals an indebtedness to Philadelphia's artistic patrimony. Almost the whole show could have been assembled from Philadelphia holdings or works by Philadelphia artists. So why is the Art Museum so modest about its contributions? “American Stories: Paintings of Everyday Life, 1765-1915.” Through January 24, 2009 at Metropolitan Museum of Art, Fifth Avenue and 82nd St., New York. 212-535-7710 or http://www.metmuseum.org/. Art

Museum’s admission hike June 29 2009 The Art Museum recently raised its admission fees, a fund-raising model that is strictly 20th-Century. Then it hired as its new director Timothy Rub, a successful advocate of the 21st-Century model: free admission. Does the Art Museum’s left hand know what its right hand is doing?

Venice: Nice place to visit, but…. March 31 2009 There’s no place like Venice to jump-start your romantic gene. But before you move there, remember: The plumbing stinks. And try schlepping groceries, or hauling a suitcase, or finding a doctor or a decent restaurant or a neighbor who’s under 50.

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Vidocq: Philadelphia's Sherlock Holmes December 20 2008 Sherlock Holmes, Charlie Chan and Sam Spade are all legendary but fictitious private eyes. But Edgar Allan Poe and Victor Hugo were inspired by a real Philadelphia gumshoe of literary dimensions, as I discovered behind the door of the Vidocq Society in Center City. The Black Tower. By Louis Bayard. William Morrow, 352 pages; $24.95. http://www.louisbayard.com/

Sarah Palin and the ‘C’ word September 13 2008 Thanks to Sarah Palin, the 800-pound gorilla is out of the cage. The 'C' word— class— is the one word in the American lexicon that's even better hidden in polite public discourse than race. And it has little to do with money.

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The horror of globalization February 16 2008 What is a German discount food chain doing in Philadelphia, pampering its customers and employees alike and otherwise violating cherished local customs? Don’t these foreigners know what we Americans did to the Hessians the last time we got really angry?

George Stubbs paintings at Penn April 17 2007 The English painter George Stubbs is largely forgotten outside racing stables, geezer men’s clubs and faux clubby steakhouses. But he transformed the way artists depicted horses and sporting scenes. Equus Unbound: Fairman Rogers and the Age of the Horse. Through June 15, 2007, at Kamen Gallery, U. of Pennsylvania’s Van-Pelt-Dietrich Library Center, 3420 Walnut St., first floor. Free and open to the public; photo ID required. (800) 390-1829.

Christie’s and ‘The Gross Clinic’ January 03 2007 As a leading art auction house, Christie’s well understands the role of a dummy bidder in jacking up the price of a work. In Jefferson University's recent sale of The Gross Clinic, Christie’s consultants apparently found an unwitting dummy in the Wal-Mart heiress Alice Walton. Has Philadelphia’s art community learned anything from this $68 million lesson?

What price admission to the Barnes? August 12 2006 Hefty admisssion increases are the new order of the day at New York's Museum of Modern Art and the Metropolitan Museum. Derek Gillman, new chief of the Barnes Foundation, may be tempted to follow suit. Here's one hard-nosed reason why he shouldn't.

Celebrating ....

Saturday, 19 August 2006

Tourism