THE PHILADELPHIA JUNTO.: Kicks Off Saturday

Wednesday, 26 February 2014

Kicks Off Saturday

Native American Voices

The Old ... The New
Schedule Follows Below
New Native American
Exhibit at Penn Museum

Saturday, March 1, 11:00 am - 4:00 pm
Exhibition Opening
Native American Voices: The People—Here and Now
Native Americans from around the region and across North America come to the Penn Museum Saturday, March 1, 11:00 am to 4:00 pm, to share their art, culture, and perspectives and to celebrate the opening of 'Native American Voices: The People -- Here and Now,' a new exhibition at the Penn Museum. Native Nations Dance Theater performs in an afternoon that features talks, demonstrations and storytelling by Native American leaders in film and journalism, scholarship, community development, archaeology, sports, language retention and social activism. Mini-workshops, special activities for families, and Native American foods on the Pepper Mill Café menu, round out the day. The celebration is free with regular Museum admission.

Highlights of the Celebration:

11:00 am - Penn Museum Williams Director Julian Siggers joins Exhibition Curator and Senior Keeper of the American Section Lucy Fowler Williams, Keeper of the American Section William Wierzbowski, and advisors and consultants from the Native American community, at a ribbon cutting ceremony to officially open the new exhibition.

11:30 am - Native Nations Dance Theater presents a dance demonstration and open workshop for visitors.

12:00 - Suzan Harjo (at right), Cheyenne/Muscogee, Director

of the Morningstar Institute and a lead advisor for the exhibition,
offers a reading of her own poetry about sacred places, with time to talk and answer questions about the importance of places on the landscape for Native American peoples today.

12:30 pm - Namorah Gayle Byrd, Chitimacha/Cherokee, Associate Professor of Composition and Literature at Gloucester County College, tells Native American trickster tales during a storytelling session.

1:00 pm - Native Nations Dance Theater offers a music workshop and demonstration for guests.

1:00 pm - Gewas Schindler, the General Manager of the Iroquois Nationals Lacrosse Team (Haudenosaunee/Oneida), joins the celebration, for a demonstration and talk about the history and significance of the game. Haudenosaunee legend states that Lacrosse is a reminder of the talents hidden within all people.

1:30 pm - Joe Watkins, Choctaw, National Park Service Chief Anthropologist, shares insights into indigenous archaeology; then, Joseph Aguilar, Tewa Pueblo, and a University of Pennsylvania graduate student, talks about his archaeological research to understand how his ancestors experienced the Pueblo Revolt of 1680.

2:00 pm - Shelley DePaul, Chief, Lenape Nation of Pennsylvania, introduces visitors to the local Lenape Indian language at an interactive workshop.

2:00 pm - Collections Assistant Stephanie Mach, Diné, offers a behind-the-scenes visit to the Museum's Collections Study Room, and an up-close look at some diverse Native American materials from the vast North American collections, which number over 140,000.

2:30 pm - Margaret Bruchac, Abenaki, Assistant Professor of Anthropology, speaks about the role of wampum, drawing upon materials from the Penn Museum collection.

2:30 pm - Namorah Gayle Byrd (at left), Chitimacha/Cherokee, Associate Professor of Composition and Literature at Gloucester County College, tells Native American trickster tales during an encore storytelling session.

2:45 pm - Gewas Schindler, the General Manager of the Iroquois Nationals Lacrosse Team (Haudenosaunee/Oneida), joins the celebration, for a demonstration and talk about the history and significance of the game. Haudenosaunee legend states that Lacrosse is a reminder of the talents hidden within all people.

3:00 pm - Advisor Patty Talahongva, a Hopi journalist and filmmaker whose work formed the basis of much of the video content in the exhibition, speaks about her work as a journalist and shares aspects of her Hopi culture, drawing on material inspirations in the Penn Museum collection.

3:30 pm - Native Nations Dance Theater returns for a finale performance of music and dance.

BROADSTREETREVIEW.COM INDEX

Articles by Richard Carreño
Diego Rivera's ghost in Detroit October 15 2013 The city of Detroit may be broke, but the Detroit Institute of Arts owns $2 billion worth of art works. Its most valued pieces, by the Communist Diego Rivera, portray heroic workers triumphing over stoic managers. In the best capitalist tradition, Rivera’s frescoes are now being held hostage by a pair of union-busting Republican politicians.

Dissecting West’s ‘Death of General Wolfe’ August 06 2013 Benjamin West’s Death of General Wolfe was once a hallowed symbol of British imperialism. Now it’s been hijacked by Canadians, whose supply of national icons is otherwise limited. National Gallery of Canada. 380 Sussex Drive, Ottawa, Ontario, Canada. www.gallery.ca/en.

Pittsburgh’s culture quest July 24 2012 The Mellons and the steel mills are gone, but Pittsburgh today boasts first-class museums, music, theaters and universities. The trouble is, they’re all in the wrong part of town.

Discovered: La Salle’s unsung art museum November 14 2011 An obscure museum in a North Philadelphia basement houses world-class treasures by masters like Tintoretto, Edouard Vuillard, Rembrandt Peale, Georges Rouault and Joseph Epstein. Most remarkable of all, admission is free. La Salle University Art Museum. Olney Hall, 1900 W. Olney Ave., lower level. (215) 951-1000 or www.lasalle.edu/museum.

Matisse and Barnes: A tale of two museums October 04 2011 Henri Matisse was one of the three great revolutionary artists (with Picaso and Duchamp) of the early 20th Century; Albert Barnes was a brilliant collector of revolutionary art. They made a great team until Barnes’s insufferable personality drove Matisse away, with consequences that still reverberate today.

‘Picasso and the Paris Avant-Garde’ at the Art Museum February 23 2010 Curator Michael Taylor has unveiled, for the first time in recent memory, the astonishing range, depth, and quality of the Art Museum’s Picasso holdings. But his show falls a few bricks short of an Anne d'Harnoncourt blockbuster. “Picasso and the Avant-Garde in Paris.” Through May 2, 2010 at Philadelphia Museum of Art, Benjamin Franklin Parkway at 26th St. (215) 763-8100 or http://www.philamuseum.org/.

Antiquity, looters and the Penn Museum November 10 2009 Who are the best stewards of ancient artifacts— enlightened Western curators whose museums stole the loot long ago, or dictators of Third World lands where the treasures were originally found? James Cuno of the Chicago Art Institute (who believes the former) confronts the Penn Museum (which favors the latter). "Iraq’s Ancient Past: Rediscovering Ur’s Royal Cemetery." Through Spring 2010 at University of Pennsylvania Museum, 3260 South St. (215) 898-4000 or www.penn.museum/sites/iraq.

‘American Stories' at the Met in New York October 18 2009 “American Stories,” currently at the Met in New York, reveals an indebtedness to Philadelphia's artistic patrimony. Almost the whole show could have been assembled from Philadelphia holdings or works by Philadelphia artists. So why is the Art Museum so modest about its contributions? “American Stories: Paintings of Everyday Life, 1765-1915.” Through January 24, 2009 at Metropolitan Museum of Art, Fifth Avenue and 82nd St., New York. 212-535-7710 or http://www.metmuseum.org/. Art

Museum’s admission hike June 29 2009 The Art Museum recently raised its admission fees, a fund-raising model that is strictly 20th-Century. Then it hired as its new director Timothy Rub, a successful advocate of the 21st-Century model: free admission. Does the Art Museum’s left hand know what its right hand is doing?

Venice: Nice place to visit, but…. March 31 2009 There’s no place like Venice to jump-start your romantic gene. But before you move there, remember: The plumbing stinks. And try schlepping groceries, or hauling a suitcase, or finding a doctor or a decent restaurant or a neighbor who’s under 50.

Newspapers and the Internet March 03 2009 In the Internet age, what will happen to fact-based journalism as daily newspapers fold? Contrary to what you hear from print journalists, the quality of coverage could improve. Which would you prefer: The Inquirer, or a Philadelphia edition of the New York Times?

Vidocq: Philadelphia's Sherlock Holmes December 20 2008 Sherlock Holmes, Charlie Chan and Sam Spade are all legendary but fictitious private eyes. But Edgar Allan Poe and Victor Hugo were inspired by a real Philadelphia gumshoe of literary dimensions, as I discovered behind the door of the Vidocq Society in Center City. The Black Tower. By Louis Bayard. William Morrow, 352 pages; $24.95. http://www.louisbayard.com/

Sarah Palin and the ‘C’ word September 13 2008 Thanks to Sarah Palin, the 800-pound gorilla is out of the cage. The 'C' word— class— is the one word in the American lexicon that's even better hidden in polite public discourse than race. And it has little to do with money.

Alfred J. Munnings at Brandywine Museum July 29 2008 A remarkable new show at the Brandywine River museum is a tribute to the great sporting artist Alfred J. Munnings and also to the private collectors of Chester County who’ve accumulated his works without fanfare.“Alfred J. Munnings From Regional Collections.” Through Sept. 1, 2008 at Brandywine River Museum, off U.S. 1, Chadds Ford, Pa. (610) 388-2700 or http://www.brandywinemuseum.org./

The horror of globalization February 16 2008 What is a German discount food chain doing in Philadelphia, pampering its customers and employees alike and otherwise violating cherished local customs? Don’t these foreigners know what we Americans did to the Hessians the last time we got really angry?

George Stubbs paintings at Penn April 17 2007 The English painter George Stubbs is largely forgotten outside racing stables, geezer men’s clubs and faux clubby steakhouses. But he transformed the way artists depicted horses and sporting scenes. Equus Unbound: Fairman Rogers and the Age of the Horse. Through June 15, 2007, at Kamen Gallery, U. of Pennsylvania’s Van-Pelt-Dietrich Library Center, 3420 Walnut St., first floor. Free and open to the public; photo ID required. (800) 390-1829.

Christie’s and ‘The Gross Clinic’ January 03 2007 As a leading art auction house, Christie’s well understands the role of a dummy bidder in jacking up the price of a work. In Jefferson University's recent sale of The Gross Clinic, Christie’s consultants apparently found an unwitting dummy in the Wal-Mart heiress Alice Walton. Has Philadelphia’s art community learned anything from this $68 million lesson?

What price admission to the Barnes? August 12 2006 Hefty admisssion increases are the new order of the day at New York's Museum of Modern Art and the Metropolitan Museum. Derek Gillman, new chief of the Barnes Foundation, may be tempted to follow suit. Here's one hard-nosed reason why he shouldn't.

Celebrating ....

Wednesday, 26 February 2014

Kicks Off Saturday