Celebrating ....

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Tuesday, 1 July 2025

Hidden in Plain Sight: 

A Walk-Through Jewish Kaiserslautern


By Justin T. Carreño

While exploring the city I now call home, Kaiserslautern, I came across several Jewish heritage or cultural sites—none of them marked by large plaques or interpretive signs, but all clearly maintained with intention. The Jewish cemetery is identified only by a discreet sign behind a hedge. At first glance, I nearly missed it. But once noticed, its quiet presence is obvious.

Photos by Justin T. Carreño
/WritersClearinghouse

This approach—subtle, almost hidden—is not the result of neglect, however. It reflects a deliberate balance between visibility and caution. In a time when antisemitism continues to be a concern across Europe, a lower profile can offer a degree of safety without erasing the past.

In fact, disturbingly, in Kaiserslautern in May 2025, stolpersteine (stumbling blocks) were vandalized, being torn out of the ground and stolen. Stolpelsteine are small brass memorial plaques in sidewalks in front of the last freely chosen places of residence of victims of Nazism. They commemorate people who were persecuted, murdered, deported, expelled or driven to suicide during the Nazi era. Authorities still don't know who the vandals were, and don't know if the crime was driven by antisemitism or anti-Israeli sentiments.

In addition to Germany’s broader political climate—including resurgent far-right parties like AfD—shaping how openly Jewish history is preserved and presented, history and culture are also factors. The city had a smaller prewar Jewish population, and much of its historical infrastructure—including the synagogue—was destroyed during WWII. Unlike cities with large, continuous Jewish communities or strong heritage tourism, Kaiserslautern developed around military and industrial functions, shaping a quieter approach to remembrance. While nearby rural areas may lean conservative, the city itself maintains a respectful, if understated, memory culture—marked by preserved historical sites, memorials, and educational initiatives.

I noticed the same intentional quiet at Hilde-Mattauch-Platz, a small square named for Hilde Mattauch, a Jewish opera singer from Kaiserslautern. After building a promising career in Germany, she was forced to emigrate due to Nazi persecution. She lived in England, then Argentina, where she continued performing and touring. Despite the upheaval, she returned briefly to Kaiserslautern in the 1950s to give concerts. The square named in her honor reflects not only her artistic legacy but also a life marked by resilience and displacement.

The Jewish cultural center was probably the most understated. I only recognized it after passing by several times—its only visible sign being a small menorah in the window. There’s no nameplate, no external marker. But the meaning is clear once seen: it’s a functioning, lived-in space for community life, maintained with discretion for understandable reasons. (In fact, the police are regularly stationed outside of the building).


Another quiet discovery lies beneath the surface—literally. In 1995, during construction work in the city center, archaeologists uncovered the remains of a 14th-century mikveh, a ritual Jewish bath. Hidden for centuries, the site had been buried and forgotten, yet its stones were remarkably well-preserved. Today, it’s viewable through a small glass panel in the pavement—easy to miss unless you're looking for it. There’s a discreet plaque nearby, but no elaborate display. Still, the presence of the mikveh offers a glimpse into a once-vibrant medieval Jewish community in Kaiserslautern, long vanished but not erased. Like so many markers of Jewish life here, it’s a quiet thread in the city’s fabric—a reminder that Jewish history was, and still is, part of this place.

These discoveries demonstrate that remembrance here is not absent—it’s simply quiet, careful, and deliberate. The design of these spaces reflects a thoughtful response to historical memory and present-day realities. In Kaiserslautern, remembrance is integrated into the fabric of the city, not through grand gestures, but through quiet continuity.



The PJ depends on reader support. Please help us by contributing financially to Philabooks@yahoo.com via PayPal, or by contributing editorial content via WritersClearinghouse.yahoo.com.| Established 1976 Richard Carreño, Editor © MMXXV WritersClearinghouse All Rights Reserved.

Thursday, 19 June 2025

The Bookshelf: Now on Offer from Philabooks|Booksellers




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SEEING DOUBLE





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AVAILABLE FROM PHILABOOKS|PRESS

INQUIRE AT PHILABOOKS@YAHOO.COM







The PJ depends on reader support. Please help us by contributing financially to Philabooks@yahoo.com via PayPal, or by contributing editorial content via WritersClearinghouse.yahoo.com.| Established 1976 Richard Carreño, Editor © MMXXV WritersClearinghouse All Rights Reserved.

NO KINGS — Dictators, Strongmen, Bullies

By Alaina Johns

Broad Street Review

Continuing an unfortunate pattern, some major media outlets quickly downplayed the scope of June 14’s nationwide No Kings protests, mounted in opposition to unconstitutional actions by the Trump administration. I saw a Washington Post headline claiming that “thousands” participated, while preliminary counts from credible sources estimate that at least five million (and perhaps as many as 12 million) people joined more than 2,000 protests across all 50 states. Many BSR writers were among them, in person or in spirit. Here are the protests in their own words.

Why did we march?

“I went because I wanted to be counted among the millions of people who yearn for truth, justice, compassion, and democracy,” says Anndee Hochman, who joined a crowd in her Mt. Airy neighborhood.

“I marched because I always try to, but also because it seems that Americans STILL believe ‘it can’t happen here.’ Well, it is happening right now,” another writer says. “Trump has stolen my America,” Richard Carreño adds. “The one I wanted to pass down to my grandchildren and now, alas, they will never know.”

Another writer notes that videos of “beautiful, organically occurring dancing” in other cities’ recent protests convinced them to turn out: “as a dancer, I was inspired to bring my dancing body to the protest.” Cassandra Lewis Slattery, who attended a rally in Bryant Park, found meaning in protesting near the New York Public Library, which reminded her that “access to information and history … are essential for a democracy to survive.”

Tuesday, 27 May 2025

EXTREE! EXTREE! ON NEWSSTANDS NOW!


The PJ depends on reader support. Please help us by contributing financially to Philabooks@yahoo.com via PayPal, or by contributing editorial content via WritersClearinghouse.yahoo.com.| Established 1976 Richard Carreño, Editor © MMXXV WritersClearinghouse All Rights Reserved.

GALLERY: NEW EDITIONS FROM PHILABOOKS|PRESS





The PJ depends on reader support. Please help us by contributing financially to Philabooks@yahoo.com via PayPal, or by contributing editorial content via WritersClearinghouse.yahoo.com.| Established 1976 Richard Carreño, Editor © MMXXV WritersClearinghouse All Rights Reserved.

Monday, 26 May 2025

NEW EDITION NEW COVER


The PJ depends on reader support. Please help us by contributing financially to Philabooks@yahoo.com via PayPal, or by contributing editorial content via WritersClearinghouse.yahoo.com.| Established 1976 Richard Carreño, Editor © MMXXV WritersClearinghouse All Rights Reserved.

Thursday, 22 May 2025

The PJ Hires New PR Flack: Mr. Chat

His First Effort: I'll Take It!


This is what ChatGPT had to say about you: 


Richard Carreño is a Philadelphia-based writer, cultural critic, and former journalist 

with a diverse background in academia and publishing. He has contributed to

 publications like the Broad Street Review and is the editor of the cultural blog

 Junto.blogspot.com. Carreño has also taught American literature and English 

composition at several universities.


As an author, Carreño has written several books, including Lord of Hosts: The

 Life of Sir Henry ‘Chips’ ChannonMuseum Mile: Philadelphia’s Parkway

 Museums, and John H. McFadden and His Age: Cotton and Culture in 

Philadelphia. His works often explore art, history, and cultural figures, 

with a focus on Philadelphia’s rich heritage.


Carreño’s writing is known for its insightful analysis and engaging style, 

making significant contributions to the understanding of cultural history and art.


The PJ depends on reader support. Please help us by contributing financially to Philabooks@yahoo.com via PayPal, or by contributing editorial content via WritersClearinghouse.yahoo.com.| Established 1976 Richard Carreño, Editor © MMXXV WritersClearinghouse All Rights Reserved.

Wednesday, 30 April 2025

'NECKAR' OF THE GODS

Hiking Through the Neckar Valley, 
Borders Are Left at the Trailhead

By Justin T. Carreño 


Justin T. Carreño is a writer who lives in Germany.

The morning mist clung stubbornly to the hills of the Neckar Valley—

the kind of damp, quiet fog that makes everything feel softer, slower. 

It was April, and spring was just beginning to stretch out its limbs in 

southern Germany. From the medieval village of Hirschhorn, with its

 quiet castle perched above the river, our hiking group set out for a 

day of fitness, fresh air, and, as it turned out, fellowship—boots 

hitting dirt with that shared rhythm only a long trail can create.

We were a colorful mix: Germans, of course, but also people from 

further afield. Chu Li, a cheerful Chinese business consultant; 

Vladimir, the group leader, a rugged Russian IT manager with a 

dry wit; Natalia, a Ukrainian whose smile never quite left her face, 

even on the steep inclines. There was Hossam from Egypt, who 

carried dates in his pack and offered them freely. Lien, a Vietnamese 

pharmacy student with a camera always half-raised. A quiet, 

thoughtful man named Sami, who had left Syria to pursue medical 

school in Heidelberg, still carried his past in his eyes. And there 

were two Indian men, unrelated by blood but quick to bond over 

a shared culture and distant home.




Then there was the Jamaican hiker. His story of moving to 

Germany for a fresh start caught me off guard. I asked why he 

chose Germany over the U.S., which is often a more common 

destination for Jamaicans. He shrugged and said the U.S. didn’t feel 

like a good place anymore. “Germany is safer,” he added, “and the 

work-life balance, the worker protections—they’re better.” He 

hadn’t realized I was American until he asked, “Where are you from?”

“The States,” I said.

ARMOUR GUARD

MONUMENTAL HIGGINS ARMOUR COLLECTION, LONG IN MOTHBALLS, TO OPEN IN WORCESTER, MASSACHUSETTS


This fall, the Worcester Art Museum welcomes you to its new Arms and Armour Galleries. Uncover the real stories behind myths and legends, brought to life through over 1,000 objects from around the world. Showcasing the Museum’s collection of arms and armor—the second largest of its kind in the United States—this new 5,000-square-foot space invites you to delve into timeless themes of bravery, power, identity, and honor, and reflect on how these concepts resonate in our lives today.

Rare artifacts, breathtaking artworks, and hands-on interactives make this experience perfect for all ages. With a focus on storytelling, the galleries will explore the societies and cultures in which these objects were used and reveal the skill and ingenuity required to create them. Discover the celebrity culture of Roman gladiators through a 2,000-year-old helmet. Marvel at ornate weapons-turned-fashion statements, like an Indian dagger worn to signify status and masculinity. Search the surfaces of brilliantly crafted suits of armor for clues about their makers. And come face-to-face with samurai Sakai Genzo through the ceremonial suit of armor he once wore.

The core of the Museum’s collection of arms and armor is the John Woodman Higgins Armory Collection. Previously housed at Worcester’s Higgins Armoury Museum until its closure, the collection was acquired by WAM in 2014. Now, this reimagined new installation will allow for the majority of these beloved treasures to be on display, using art to boldly redefine how we encounter them. The galleries are curated by Jeffrey L. Forgeng, WAM’s Higgins Curator of Arms & Armor and Medieval Art—who has curated the Higgins Armory Collection since 1999—to highlight the craftsmanship, technological innovation, and cultural significance of arms and armor throughout history.


The Worcester Art Museum is profoundly grateful to the funders, donors, consultants, and the many others who have supported this project. View the full list.


How to visit

All visitors

  • Timed-entry reservations will be required for all visitors to the Arms and Armor Galleries. 
  • Reservations will be available online starting October 22 at noon ET. Subsequently, timeslots will be released every Wednesday at noon ET. 
  • Making a reservation online in advance is the only way to guarantee your entry into the Arms and Armor Galleries. There may be a very limited number of walk-up tickets available each day on a first-come, first-served basis. 
  • Reservations for the Arms and Armor Galleries include general admission to the entire Museum. While you must be ready to enter the Arms and Armor Galleries at the time on your ticket, you may enter the Museum at any time during regular hours to enjoy four floors of art. 

The PJ depends on reader support. Please help us by contributing financially to Philabooks@yahoo.com via PayPal, or by contributing editorial content via WritersClearinghouse.yahoo.com.| Established 1976 Richard Carreño, Editor © MMXXV WritersClearinghouse All Rights Reserved.

Friday, 18 April 2025

BOOK REVIEW: BENJAMIN FRANKLIN'S INVENTIVE MIND

Undaunted Mind: The Intellectual Life of Benjamin Franklin 

Published online:
 
17 April 2025
Published in print:
 
23 July 2025


Undaunted Mind tells the story of Benjamin Franklin’s intellectual life from the books he read as a child to those he read as he continued his idiosyncratic program of self-education. As an apprentice in his brother’s printing house, Franklin’s intellectual life developed through his contact with his brother’s writerly friends. After running away to Philadelphia, Franklin developed a new group of friends, all of whom loved reading. While in London in his late teens, he met several important intellectuals who encouraged his intellectual pursuits. After returning to Philadelphia from London, he and some friends formed the Junto, a club for mutual improvement that made reading and writing important activities. He formed the Library Company of Philadelphia, the first subscription library in colonial America. As a printer, he read some of the best writing in the eighteenth century. He became a scientist, assembling a great scientific library, which helped his electrical research. Franklin founded the Philadelphia Academy, which would become the University of Pennsylvania. As an agent for the Pennsylvania Assembly, Franklin lived in London for many years, where he befriended some of Britain’s greatest minds. Different concentrations of books in his library reveal Franklin’s interests in travel and exploration, warfare, and slavery. His time in Paris gave Franklin another great intellectual experience, but he ultimately returned home to live the last five years of his life in Philadelphia, where he imparted his knowledge and experience to a new generation of Americans.


The PJ depends on reader support. Please help us by contributing financially to Philabooks@yahoo.com via PayPal, or by contributing editorial content via PhiladelphiaJunto@ymail.com.| Established 1976 Richard Carreño, Editor © MMXXV WritersClearinghouse All Rights Reserved.

Monday, 24 March 2025

OUT OF THE BLUE


A Night of High Ranks 

and Unity in Rural Germany


By JUSTIN T. CARREÑO

 

It was early March 2025, and a cool, crisp, clear, late winter evening in the rural hills

of southwest Germany. I was on a brick patio with a firepit ablaze, and the 

smell of grilled meat and smoke filled the air. The setting, high on the ridge, was

a modern, stately home overlooking the nearby town of Landstuhl and, notably,

as well, the municipality's adjacent neighbor, the Goliath-like, U.S. installation,

Ramstein Air Base (RAB), whose presence breathed life into the small village.

(Landstuhl gained notoriety for its American military hospital where injured 

troops were evacuated during the Iraq and Afghanistan wars.)


 


A friend, a military linguist, invited me to a barbecue with people from work. I asked

who was hosting, and she wasn’t sure – just a colleague of hers was going, and it was

 an open invite to others they knew, and people connected to his office. I didn’t think

much of it – I’m always up for a get-together and meeting new people, so I agreed. I

 took the train, about 10 minutes from Kaiserslautern to Landstuhl, and she picked 

me up from the town bahnhof, and we drove about another 10 minutes to the event.

 

I knew something was different about this barbecue because as we approached the 

home, it wasn’t a typical apartment or standard home of people she’d work with. It 

was a large, impressive, modern, landscaped, home with an incredible panoramic 

view spanning 180 degrees, looking out over the greater Landstuhl area, Ramstein, 

and the Pfalzerwald.


Tuesday, 25 February 2025

ROMANIAN RHAPSODY continued... Part III: The Princess Ileana and Union Station Pittsburgh








By Thom Nickels
I’m on Amtrak’s Pennsylvanian traveling from Philadelphia 
to Pittsburgh to check out the legacy of the last Romanian 
Princess. Arranging this trip was almost as difficult as planning 
a trip to Romania. Figuring out how to get to Ellwood City, 
Pennsylvania from Pittsburgh was a challenge. Ellwood 
City is where Princess Ileana of Romania — in her later 
incarnation as Mother Alexandra -- founded the Orthodox 
Monastery of the Transfiguration. 

The western Pennsylvania landscape is quite spectacular. 

When the train rounded the famous Horseshoe Curve the 

engineer jumped on the intercom to explain the history 

of the Curve to passengers. The story involved a lot of 

WWII data as well as how many people died during 

its construction. In the café car I sit near several Amish 

people, an Amtrak engineer, a conductor and a man 

with an old Bible set beside his coffee. This 

small group is engaged in conversation. I jump in 

at an appropriate time and offer my two cents. The 

topic is Scripture. The man with the Bible is telling 

stories about how American evangelical Christians 

when they see him reading the Bible openly in 

Europe always make a loud show of meeting 

another believer. “Oh brother in Christ! Another 

brother in Christ! Let me join you, brother! Can we 

pray together?”